What: Mario Diaz de Leon and TAK Ensemble celebrate the release of Sanctuary, Diaz de Leon’s first album-length classical work.
When: Tuesday, April 3, 2018, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 Online, $25 Doors
Info: www.roulette.org / (917) 267-0368
Brooklyn, NY — NYC-based composer and performer Mario Diaz de Leon presents work from his first album-length classical work, Sanctuary, which was released by Denovali in the fall of 2017. It was written in collaboration with TAK Ensemble, a brilliant quintet devoted to energetic and virtuosic performances of contemporary music, who will appear with him at Roulette in an expanded lineup featuring marimba, synthesizer, soprano voice, flute, violin, and bass clarinet. Combining stark rhythms with ecstatic gestures, Diaz de Leon’s new work embraces elements of post-minimalism to dramatic and expansive effect. Bassoonist Rebekah Heller will open the evening with the NYC premiere of Labrys, a tour de force of virtuosic and luminous sonic alchemy, and the latest addition to Diaz de Leon’s acclaimed set of works for live soloist and electronics.
Mario Diaz de Leon is a composer, performer, and educator, whose work encompasses modern classical music, experimental electronic music, extreme metal, and improvised music. His debut album, Enter Houses Of was released in 2009 on John Zorn’s Tzadik label and praised by the New York Times for its “hallucinatory intensity.” His second album, The Soul is the Arena, was named a notable recording of 2015 by New Yorker Magazine. He has worked with the Los Angeles Philharmonic, Talea, Mivos Quartet, and TILT Brass.
TAK is a quintet dedicated promoting ambitious programming and fostering engagement within the contemporary music community and the artistic community at large. Their debut album Ecstatic Music: TAK plays Taylor Brook was released to critical acclaim by New Focus Recordings in 2016.
Bassoonist Rebekah Heller is a dynamic solo and collaborative chamber artist committed to expanding the modern repertoire for the bassoon. Her debut solo album, 100 names, was called “pensive and potent” by The New York Times, and her newly-released second album, METAFAGOTE, is receiving wide acclaim. She is the recently-appointed co-artistic director of the renowned International Contemporary Ensemble (ICE).
Mario Diaz de Leon – composer, lighting design
Charlotte Mundy – soprano
Laura Cocks – flute
Marina Kifferstein – violin
Carlos Cordiero – clarinet and bass clarinet
Ellery Trafford – marimba and percussion
Tristan McKay – synthesizer and Ciat-Lonbarde tetrazzi