Tag: Kyli Kleven

[DANCEROULETTE] Kyli Kleven: Triangle Theory

What: Three nights of Kyli Kleven’s Triangle Theory, a dance-based preoccupation with the meaning and depth of shape-making.
When: Monday + Tuesday + Wednesday, November 28-30, 2016
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $15/10 Online $20/15 Doors $50 Series Pass
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $15, Members/Students/Seniors $10, $20/15 Tickets at the door, $50 Series Pass

Brooklyn, NY – Roulette presents three consecutive evenings of Kyli Kleven’s Triangle Theory, a dance-based preoccupation with the meaning and depth of shape-making, specifically of making meaning with/as triangles. The piece began as an exploration of dance’s relationship to form/precision, and has morphed into a dance-driven series of studies mixing craft values with pared down shapes/textures and abstract femme iconography. Making use of visual effects, foam props, and immersive projections, Triangle Theory pays homage to Wendy Carlos’ Beauty in the Beast album, Oskar Schlemmer’s Triadic Ballet, and the very first tripod erected in Nenana, Alaska, which, every spring since, has floated down the broken Tanana river pulling a line of triangles behind it.

Kyli Kleven is an experimental dance artist and video artist based in Brooklyn and originally hailing from Nenana, Alaska. She owes much of her point-of-view to her participation in the art-making practices of Kim Brandt, Ryan McNamara, Jillian Peña, Milka Djordjevich, Jen Monson, Jen Rosenblit, Jen Allen, Kirstie Simson, and many others. She also worked extensively with Our Dads, a dance-making collaborative project with Stevie May, Tess Dworman, and Caitlin Marz, and as a video artist for knitwear designer Stephen West. She studied dance and gender studies at The University of Illinois at Urbana-Champaign and was a 2008 DanceWEB scholar at ImPulsTanz.

The ongoing [DANCEROULETTE] series reflects Roulette’s commitment to presenting experimental dance held since the organization’s founding in 1978, particularly the collaborative efforts of composers and choreographers exploring the relationship between sound and movement, choreography and composition.

Lydia Adler-Okrent
Jessica Cook
Tess Dworman
Angie Pittman