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Ned Rothenberg

Friday, May 18, 20078:30 pm

Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 25 years in North and South America, Europe and Asia. He leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla. Recent recordings include Intervals, a double CD of solo work, and Are You Be, by R.U.B. (Rothenberg, Kazuhisa Uchihashi and Samm Bennett) on Rothenberg’s Animul label. Chamber music releases include Ghost Stories, on Tzadik and Power Lines on New World, along with Port of Entry, Sync’s release on Intuition. Other collaborators have included Sainkho Namchylak, Paul Dresher, John Zorn, Marc Ribot, Yuji Takahashi and Evan Parker. Rothenberg generates a remarkable variety of new timbres through unique playing techniques including circular breathing allowing for extremely long melodic patterns, multiphonic chords, precise overtone control, elaborate rhythmic tonguing attacks, control of overlapping beat frequencies, combinations of the previous, and much more. His music evokes an emotional spectrum from humor to pathos, a feeling of rhapsodic melancholy to simple awe at encountering a sound never before experienced.

Ned Rothenberg

Friday, May 18, 20078:30 pm

Composer/Performer Ned Rothenberg has been internationally acclaimed for both his solo and ensemble music, presented for the past 25 years in North and South America, Europe and Asia. He leads the trio Sync, with Jerome Harris, guitars and Samir Chatterjee, tabla. Recent recordings include Intervals, a double CD of solo work, and Are You Be, by R.U.B. (Rothenberg, Kazuhisa Uchihashi and Samm Bennett) on Rothenberg’s Animul label. Chamber music releases include Ghost Stories, on Tzadik and Power Lines on New World, along with Port of Entry, Sync’s release on Intuition. Other collaborators have included Sainkho Namchylak, Paul Dresher, John Zorn, Marc Ribot, Yuji Takahashi and Evan Parker. Rothenberg generates a remarkable variety of new timbres through unique playing techniques including circular breathing allowing for extremely long melodic patterns, multiphonic chords, precise overtone control, elaborate rhythmic tonguing attacks, control of overlapping beat frequencies, combinations of the previous, and much more. His music evokes an emotional spectrum from humor to pathos, a feeling of rhapsodic melancholy to simple awe at encountering a sound never before experienced.

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