Category: Press Releases

Kris Davis + Craig Taborn

What: Star pianists Kris Davis and Craig Taborn perform together in an evening of original compositions and improvisations.
When: Sunday, October 2, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Roulette is thrilled to present an evening of original compositions and improvisations from two of jazz’s most celebrated contemporary pianists, Kris Davis and Craig Taborn.

Pianist-composer Kris Davis has blossomed as one of the singular talents on the New York jazz scene, a deeply thoughtful, resolutely individual artist who offers “uncommon creative adventure,” according to JazzTimes. Reviewing one of the series of albums that Davis has released over the past decade, the Chicago Sun-Times lauded the “sense of kaleidoscopic possibilities” in her playing and compositions. Davis’ newest album as a leader is the quintet set Capricorn Climber (Clean Feed, 2013). She made her debut on record as a leader with Lifespan (Fresh Sound New Talent, 2003), followed by more for the Fresh Sound label: the quartet discs The Slightest Shift (2006) and Rye Eclipse (2008), and the trio set Good Citizen (2010). Her 2011 solo piano album on Clean Feed, Aeriol Piano, appeared on Best of the Year lists in The New York Times, JazzTimes and Artforum. Davis earned a bachelor’s degree in Jazz Piano from the University of Toronto and a master’s degree in Classical Composition from the City College of New York. She currently teaches at the School for Improvised Music. Regarding her art, JazzTimes declared: “Davis draws you in so effortlessly that the brilliance of what she’s doing doesn’t hit you until the piece has slipped past.”

Craig Taborn is an American pianist, keyboardist and composer who also dabbles in organ and Moog synthesizer. Taborn began playing piano and Moog synthesizer as an adolescent and was influenced at an early stage by the freedom expressed in the recordings of the Association for the Advancement of Creative Musicians, Sun Ra, and Cecil Taylor. While still at university, Taborn toured and recorded with saxophonist James Carter. He went on to play with numerous other musicians in electronic and acoustic settings, while also building a reputation as a solo pianist. Taborn had released five albums under his own name and appeared on more than 70 as a sideman.

  • Kris Davis – piano
  • Craig Taborn – piano

Kamikaze Ground Crew

What: Kamikaze Ground Crew draws from over 30 years of repertoire with the addition of new compositions and arrangements.
When: Thursday, September 29, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Kamikaze Ground Crew began in 1983 as a backup band for the Flying Karamazov Brothers, filtering its music through the eclectic new-music ethos of the 1980s. The group developed through larger theatrical productions and emerged with a life of its own, becoming a vehicle for new compositions and arrangements as an abstract circus band. The ensemble is horn driven, utilizing three woodwinds, brass and drums, along with the occasional keyboard, ukulele, or electric guitar, as well as voice. Originally based in California, the group has maintained its current configuration since relocating to New York in the late 1990s. The performance will draw from over 30 years of repertoire with the addition of some new compositions and arrangements.

Co-leader, composer, and arranger Gina Leishman is recognized as a composer, multi-instrumentalist and singer, splitting her time between writing and performing, both with her various ensembles and in the theater. As a composer, she has written for opera, theater, dance, TV and film, and has been the recipient of numerous grants and awards. Collaborations include directors Karin Coonrod, Robert Woodruff, Lisa Peterson and Joseph Chaikin; writers Ellen McLaughlin, Tony Kushner and Naomi Wallace; choreographers David Gordon, Bebe Miller and Deborah Slater; and performance artists Rinde Eckert and John Kelly. She has released numerous recordings as co-leader of Kamikaze Ground Crew, as well as her solo projects which feature her compositions and songs.

Doug Wieselman has played with a variety of artists in different fields including John Lurie, Antony and the Johnsons, Laurie Anderson, Lou Reed, CocoRosie, Martha Wainwright, Anthony Coleman, Jerome Robbins and Robert Wilson. He has co-led Kamikaze Ground Crew for over 30 years and has released a solo clarinet record based on melodies from bodies of water.

  • Gina Leishman – piano, accordion, alto and bari sax, voice co-leader, composer/arranger
  • Doug Wieselman – clarinets, tenor and bari sax, co-leader, composer/arranger
  • Steven Bernstein –  trumpet, slide trumpet, composer/arranger
  • Peter Apfelbaum – tenor sax, clarinet
  • Art Baron – trombone
  • Marcus Rojas – tuba
  • Kenny Wollesen – drums

[DANCEROULETTE] Patti Bradshaw: Three Short Portraits

What: Roulette presents an evening of Patti Bradshaw’s recent works, featuring two works for solo dancer and one trio piece.
When: Wednesday, September 28, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Patti Bradshaw makes new theater works of imagined lives of poets, shifting episodic images taken from nature, and the subject of a legendary photograph among other inspirations. Her shows employ puppets, elaborate costume, dance, original text, film and performing objects in collaboration with skilled performers of all disciplines. Visual charm, emotional impact, and metaphysical oddity combine to capture the humor, loneliness and piquancy of human circumstance.

Patti Bradshaw is a director, puppet artist, and choreographer. Bradshaw creates original dance theater projects using puppets, performing objects and elaborate costumes in a folk-like style. Her work has been supported by The Jim Henson Foundation and the Harkness Dance Festival at 92nd Street Y. She has been artist-in-residence at Sarah Lawrence College and at Brooklyn Studios for Dance. She was a multi-year member of St. Ann’s Warehouse and founding member of PEPATIAN, a performing and visual arts organization along with dancer/choreographer Merian Soto and visual artist Pepon Osorio. Bradshaw has collaborated on several projects with Roulette artistic director and producer Jim Staley at the original West Broadway location. She currently teaches at Sarah Lawrence College.

The ongoing [DANCEROULETTE] series reflects Roulette’s commitment to presenting experimental dance held since the organization’s founding in 1978, particularly the collaborative efforts of composers and choreographers exploring the relationship between sound and movement, choreography and composition.

  • Marie-Helene Brabant – dancer
  • Jimmy Brenner – dancer
  • Pepper Fajans – dancer
  • Jane Stiles O’Hara – dancer
  • Valerie Striar – dancer
  • Cory Antiel – video
  • Patrick Gallagher – TBA

 

[DANCEROULETTE] Elke Rindfleisch: Horsepower

What: Elke Rindfleisch presents Horsepower, a solo piece that culminates in a community of all-female performers.
When: Tuesday, September 27, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Horsepower is a self performed solo by acclaimed choreographer Elke Rindfleisch. Beginning as a solo and culminating in a community of all-female performers, the soloist moves between the roles of narrator and performer, revealing an abstract narrative through movement, text, sound, and a shifting scenery of 20 toy horses. The narrative is intermittently supported by projections of vast landscapes and short original storylines. Using choreography that is both set and partially improvised, the dance score revolves around birth and rebirth, and engages with what motivates the self and the “herd,” and the power dynamics that evolve from those differing motivations.

Active since 1999, Elke Rindfleisch has created a rigorous, critically acclaimed body of solo and group works characterized by raw, highly physical and emotional performances—provoking fresh reactions to personal, physical, and spatial relationships—exploring the diverse aspects of human nature and social psychology. She often works with original music composed by her longtime collaborator Chris Woltmann. She has most recently performed at the Currents New Mexico/Multimedia Festival in collaboration with filmmaker Martha Williams, at Roulette in 2014 and 2015, and in collaboration with choreographer/dancer Sarah Weber Gallo.

The ongoing [DANCEROULETTE] series reflects Roulette’s commitment to presenting experimental dance held since the organization’s founding in 1978, particularly the collaborative efforts of composers and choreographers exploring the relationship between sound and movement, choreography and composition.

Matt Lavelle and the 12 Houses Orchestra

What: Matt Lavelle and the 12 Houses Orchestra draw upon the talents of rapper A.R.B.R.A.F. and trombonist Art Baron to present a Duke Ellington-inspired performance.
When: Sunday, September 25, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Roulette presents the first major concert hall performance from Matt Lavelle and the 12 Houses Orchestra. Deeply influenced by Duke Ellington, Lavelle’s spiritual compositions bring out the best in the individual members of the band. Taking a cue from Charles Mingus and John Coltrane‘s musical protests, the 12 Houses Orchestra aims to confront today’s reality through music. Drawing upon the talents of rap artist A.R.B.R.A.F. (Akustyx Rhythm Beats Rhymes and Flows), the 12 Houses Orchestra uses voice as an instrument unto itself. The ensemble will be joined by special guest and Duke Ellington alumni trombone master Art Baron.

Based in New York City and lead by Matt Lavelle, The 12 Houses is a multicultural and multigenerational large music ensemble. Described by Lavelle as “Ornette Coleman meets William Parker at Duke Ellington’s house,” the female-centric ensemble originated from an assignment given to Lavelle by Ornette Coleman. Credited by new breakthroughs within the spheres of jazz, The 12 Houses released their debut record, Solidarity, on Unseen Rain Records.

Lineup:

Matt Lavelle – Trumpet, alto clarinet, bass clarinet
Leader, Composer, and Arranger

Art Baron – Trombone
Ar Braf-Brafmatic – Rap

Nicole Davis – Trumpet
Anders Nilsson – Guitar
Tom Cabrera – Drums (1st set)
Alex Hamburger – Baritone sax
Stephanie Griffin – Viola
Jeremy Carlstedt – Drums (2nd set)
Ras Moshe – Tenor sax, flute
Gil Selinger – Cello
Jack DeSalvo – Guitar, Banjo
Charles Waters – Alto sax, clarinet
Francois Grillot – Bass
Sweet Lee Odom – Soprano sax, clarinet
Chris Forbes – Piano
Mary Cherney – Flutes
Julie Lyon –  Voice

Ned Rothenberg’s 60th Birthday Party: A Benefit For Roulette Featuring Muhal Richard Abrams, John Zorn, George Lewis, and More

What: Ned Rothenberg convenes John Zorn, Muhal Richard Abrams, George Lewis, Sylvie Courvoisier, Ikue Mori, Mark Feldman, Jim Staley, Mivos Quartet, Erik Friedlander, Marty Ehrlich, and Gamin for an improvisational performance on the occasion of the composer’s 60th birthday.
When: Sunday, September 18, 2016, 7pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors $60 Benefit Ticket (Premium Seating + CD)
Info: www.roulette.org / (917) 267-0368
Tickets:  General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door, $60 Benefit Ticket

“What could be a better way to celebrate 60 years on this earth than playing with some of my favorite musicians?  And what better purpose than to support the wonderful activities of Roulette? It’s an honor to have some of my oldest partners in crime, musical heros, most amazing improvisers on the planet and dearest friends (all these categories cross over each other) to join me for the festivities.”

Ned Rothenberg

John Zorn is a composer and saxophonist with hundreds of album credits as performer, composer, and producer across a variety of genres. Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music.

Muhal Richard Abrams is a composer, cellist, and jazz pianist working in the free jazz medium. Following his move to New York in 1975, Abrams began involved in the Loft Jazz scene. In 1983, he established the New York chapter of the Association for the Advancement of Creative Musicians.

– A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, George Lewis‘ work in electronic and computer music, computer-based multimedia installations, and notated and improvisatory forms is documented on more than 140 recordings.

Sylvie Courvoisier is a pianist, composer and improviser born and raised in Lausanne, Switzerland and currently residing in Brooklyn. As the leader of several groups over the years, Courvoisier has recorded over 25 records for top labels in including ECM, Tzadik, and Intakt Records.

Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal No Wave band DNA with fellow noise pioneers Arto Lindsay and Tim Wright. After becoming involved with the city’s flourishing improvisational scene via John Zorn, she began experimenting with drum machines, and in recent years utilizes the laptop as her primary instrument.

Mark Feldman is currently a member of the John Abercrombie Quartet along with Joey Baron and Marc Johnson. In addition to international concert tours the resulting recordings “Open Land,” “Cat n’ Mouse,” and “Class Trip” on ECM Records.

– Roulette artistic director and producer Jim Staley occupies a unique position among trombonists, crossing genres freely between post-modern classical music and avant-garde jazz. He boasts spectacular technique, including the ability to spit forth clusters of notes at rapid speed.

Gamin is one of the most celebrated piri, taepyeongso (Korean traditional oboe family), and saengwhang (ancient wind-blow instrument) performers in Korea today. Solidly trained in jeongak, the classical court music, Gamin also studied the techniques of sinawi, the shaman ritual music.

Ikue Mori: Pomegranate Seed // World Premiere of OBELISK

What: Ikue Mori presents a live audio-visual piece based upon Nathaniel Hawthorne’s Tanglewood Tales followed by the world premiere of her new group OBELISK, featuring Sylvie Courvoisier, Okkyung Lee, and Jim Black.
When: Friday, September 16, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Roulette welcomes back veteran performer Ikue Mori for a double feature including Pomegranate Seed, a live audio-visual performance inspired by the story of the same from Nathaniel Hawthorne’s Tanglewood Tales, followed by the world premiere of her new group OBELISK, featuring Sylvie Courvoisier on piano, Okkyung Lee on cello and Jim Black on drums.

Published in 1853, Nathaniel Hawthorne’s Tanglewood Tales retells well-known Greek myths for children. Ikue’s rendition of the classic tale of Persephine’s kidnapping at the hands of King Pluto will include video clips and puppetry. The second performance of the night will call upon the talents of Sylvie Courvoisier, Okkyung Lee, and Jim Black to premiere new pieces developed from Ikue’s solo electronic compositions.

After moving to New York from her native Tokyo in 1977, Ikue Mori began playing drums in seminal No Wave band DNA with fellow noise pioneers Arto Lindsay and Tim Wright. In the mid 1980s, Ikue began to employ drum machines in the context of improvised music. While limited to the standard technology provided by the drum machine, she nonetheless forged her own signature style. Throughout in 1990s she collaborated with numerous improvisors throughout the United States, Europe, and Asia, while continuing to produce and record her own music. After becoming involved with the city’s flourishing improvisational scene via John Zorn, she began experimenting with drum machines, and in recent years utilizes the laptop as her primary instrument. Last fall, Ikue performed her Twindrums project with Yoshimio at Roulette. Ikue has lead workshops and lectures at University of Gothenburg, Dartmouth College, New England Conservatory, Mills College, Stanford University, and The School of the Art Institute of Chicago.

Elliott Sharp’s Vivarium

What: Renowned composer and multi-instrumentalist Elliott Sharp, joined by JACK Quartet, presents new and recent works.
When: Thursday, September 15, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Elliott Sharp’s Vivarium is a program of new and recent works partially drawn from his new album, Tranzience, on New World Records. Drawing upon the talents of top new music ensembles JACK Quartet and New Thread Quartet, Vivarium places Sharpe’s works in new contexts.

The program features “Tranzience” performed by JACK Quartet, “Approaching The Arches of Corti” performed by New Thread saxophone quartet; “Homage Leroy Jenkins” performed by Jenny Lin, Rachel Golub, and Joshua Rubin; and “The Hidden Variable” for electro-acoustic guitar performed by Elliott Sharp. The evening will conclude with the the world premiere of “Vivarium,” a graphic score by Sharp that will be performed by all of the musicians taking part in the other pieces.

Composer and multi-instrumentalist Elliott Sharp is the leader of such projects as SysOrk, Orchestra Carbon and Tectonics, and Terraplane. Recipient of the Berlin Prize for 2015 and a Guggenheim Fellowship winner for 2014, Sharp has composed for Ensemble Modern, RadioSinfonie Frankfurt, and Arditti Quartet. A contributor to Hilary Hahn’s Grammy-winning album In 27 Pieces, Sharp has been featured at New Music Stockholm, Donaueschingen, Darmstadt, Tomorrow Shenzhen, and Au Printemps festivals. His opera Port Bou premiered in the United States at Issue Project Room October 2014 and in Berlin at Konzerthaus in April 2015. In 2010, Sharp created About Us, a sci-fi opera for all-teenage performers at the Bayerische Staatsoper. His work is the subject of the documentary “Doing The Don’t” and he has been featured on NPR’s All Things Considered.

  • Elliott Sharp – Electro-acoustic guitar
  • JACK Quartet – Violin, viola, cello
  • New Thread Quartet (Geoffrey Landman, Kristen McKeon, Erin Rogers, Zach Herchen) – Saxophone
  • Jenny Lin – Piano
  • Rachel Golub – Violin
  • Joshua Rubin – Clarinet

ACFNY & Dame Electric Present: Suzanne Ciani, Antenes & E. Indigo

What: Buchla pioneer Suzanne Ciani performs her first solo concert in New York since 1975, preceded by a live collaboration between E. Indigo and Antenes.
When: Wednesday, September 14, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – The Austrian Cultural Forum and Dame Electric offer a rare opportunity to witness legendary analog synth pioneer Suzanne Ciani perform her first solo concert in New York in over 30 years. Ciani will play her Buchla synthesizer live, coupled with video projections that will enable the audience to follow her working process close up. Opening act E. Indigo and Antenes will premiere their first live collaboration. Founded and curated by thereminist Dorit Chrysler and supported by the Austrian Cultural Forum New York, Dame Electric focuses on pioneering women in electronic analog music.

Suzanne Ciani is a five-time Grammy award nominated composer, electronic music pioneer, and neo-classical recording artist whose work has been featured in countless commercials, video games, and feature films. Over the course of her 30+ year career, she has released 15 solo albums, including the live electronic album retrospective, Buchla Concerts 1975. Ciani’s forthcoming collaborative album with Kaitlyn Aurelia Smith, Sunergy, will be released on September 16, 2016 via RVNG’s FRKWYS imprint.

New York based DJ, producer and electronics artist Antenes operates a laboratory of self-made sequencers and modular synthesizers. Tracing the lineage of synthesizer operation to vintage telephone equipment, her curious studio discipline of manipulating repurposed switchboards was fueled by the desire to breathe new life into long-silenced machines, transforming signal paths through which voices once travelled.

Vienna/Berlin-based artist E. Indigo reps an intelligent and distinguished interpretation of techno and electronic music. As a composer and musician, she creates music for concert spaces, clubs, and sound installations, emphasizing the spatial-temporal placement of subtly elaborated sounds and structures, often generated from speech recordings.

  • Suzanne Ciani – Buchla Synthesizer
  • Antenes – Handmade Synthesizer
  • E. Indigo – Granulator, Laptop

Damon Smith, Alvin Fielder, Joe McPhee Trio

What: The world premiere of the trio celebrates the meeting of free jazz masters, Joe McPhee and Alvin Fielder, joined by bassist Damon Smith.
When: Tuesday, September 13, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – Master musicians Joe McPhee and Alvin Fielder, joined by bassist Damon Smith, will play together for the first time following Fielder’s illness. The evening will offer a rare opportunity to witness two free jazz greats reflect on their storied careers. With strong ties to American jazz traditions as well as European-style free improvisation, all three musicians will push the boundaries of jazz, swing, and blues in unlikely and inspiring ways.

Mississippi-born jazz drummer Alvin Fielder began his career in Chicago, where he co-founded the Association for the Advancement of Creative Musicians (AACM) in 1965. Over the next several decades, Fielder has played with Sun Ra, Muhal Richard Abrams, Eddie Harris, Kalaparusha, Fred Anderson, Lester Lashley and Roscoe Mitchell, among others. Fielder is featured on Roscoe Mitchell’s seminal 1966 Sound recording. He is the 2012 recipient of the Resounding Vision Award from Nameless Sound in Houston.

Joe McPhee is a jazz multi-instrumentalist and composer hailing from Miami, Florida. Active since the late 1960s, McPhee plays tenor, alto, and soprano saxophone, trumpet, flugelhorn and valve trombone. Inspired by Pauline Oliveros, whose theories of “deep listening” strengthened his interests in extended instrumental and electronic techniques, and Albert Ayler, who inspired McPhee to pick up the saxophone, McPhee has produced over 100 recordings throughout his 50+ year career.

Damon Smith’s explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Born and raised in the fertile Bay Area music scene of the 1990s, Smith is heavily influenced by visual art, film, and dance, and counts Werner Herzog and the Merce Cunningham Dance Company among his collaborators.