“I wanted to create a piece that reflects the chaos that I feel our society is in and how we can’t seem to find balance. I’m hoping through witnessing and experiencing art that embodies this, that maybe it helps us find ideas and ways to combat what we are experiencing.”
In a piece inspired by and sharing a title with James Baldwin’s essay “We Can Change the Country” composer, Darius Jones discusses his latest piece premiering this Monday at Roulette on the eve of the 2020 Presidental Election.
Darius Jones has created a recognizable voice as a critically acclaimed saxophonist and composer by embracing individuality and innovation in the tradition of African-American music. Jones has been awarded the Van Lier Fellowship, Jerome Foundation Commission, Jerome Artist-in-Residence at Roulette, French-American Jazz Exchange Award, and, in 2019, the Fromm Music Foundation commission at Harvard University. Jones has released a string of diverse recordings featuring music and images evocative of Black Futurism. His work as a new music composer for voice culminated in a major debut performance at Carnegie Hall in 2014. Jones has collaborated with artists including Gerald Cleaver, Oliver Lake, William Parker, Andrew Cyrille, Craig Taborn, Wet Ink Ensemble, Jason Moran, Trevor Dunn, Dave Burrell, Eric Revis, Matthew Shipp, Marshall Allen, Nasheet Waits, Branford Marsalis, Travis Laplante, Fay Victor, Cooper-Moore, Matana Roberts, JD Allen, Matthew Shipp, Nicole Mitchell, Georgia Ann Muldrow, and many more. The New York Times named Jones among the Best Live Jazz Performances of 2017 for his Vision Festival performance with Farmers by Nature. In 2018, Darius premiered across the United States a major new composition entitled LawNOrder, a dramatic commentary on social justice and American politics. Jones’ music is a confrontation against apathy and ego, hoping to inspire authenticity that compels us to be better humans.