Monday, October 24, 1983. 8:30 pm
“Impressions of Africa: Variations for Raymond Roussel,” visual and theatrical extensions of a rhythmically structured text.
Sunday, October 23, 1983. 8:30 pm
A new work for cello. DAVID GIBSON, a graduate of the Juilliard School and Yale University, pursues a multi-faceted career as a performing […]
Saturday, October 22, 1983. 8:30 pm
“This Embodied Voice” a new work for voice magnetic tape, satellite and/or impersonation.
Friday, October 21, 1983. 8:30 pm
“Pieces of Second Mesa,” a solo performance utilitizing remote-controlled rotating loudspeaker instruments.
Thursday, October 20, 1983. 8:30 pm
“His Most Qualityless Majesty,” for solo piano. There is no recording but there is a New York Times review by Jon Pareles.
Wednesday, October 19, 1983. 8:30 pm
A work for double bass, tape, and live electronics with visual images by artist Jon Dickinson
Sunday, May 8, 1983. 8:30 pm
This choreographer has developed tap dancing into a new instrument. Works for tap dancer with score by Larry Polansky and a tap quartet realized […]
Saturday, May 7, 1983. 8:30 pm
The clarinetist/composer presents two premiers with ensemble including saxophonist Eric Kloss, pianist Doris Hays, and violinist Monika […]
Friday, May 6, 1983. 8:30 pm
“Trombonist/composer and earl innovator in ambient-minimal-repetitive music, he now lives in London. Improvisations and solos by composers […]
Thursday, May 5, 1983. 8:30 pm
The French avant-garde bassist in improvisations with cellist Tom Cora, guitarist Fred Frith, and reed player John Zorn.