A double bill of two ensembles: María Grand Quartet and Nite Bjuti.
With this new ensemble, Grand focuses on drums & rhythm and goes back to her New York roots, back to the city where she learned how to play and made her mark. This band features new compositions seeking to honor the continuum of Black music that is often called jazz, as well as focusing her intention of collective ritual with almost folkloric sounds; this is spontaneous, functional music; tangible music, music as a user’s manual- sounds that are made to help our souls live and thrive in these strange, tribal modern times.
The setlist is, in its essence, a meditation that travels spontaneously between screeching sounds of creation to sparse emptiness. This is Grand’s most intense project, promising to deliver concerts with high energetic inputs and expressive introspection for both listeners and players. For the love of sound.
María Grand Quartet
Ryoma Takenaga upright bass
Miguel Russell drums
Shakoor Hakeem percussion
María Grand tenor and soprano saxophone, vocals
“On Magdalena, Ms. Grand unspools a constant flow of ideas, serene and deftly paced…” – The New York Times
Also on the bill is a set by Nite Bjuti (pronounced “Night Beauty”), a woman-led improvisatory trio of vocalist Candice Hoyes, Grammy-winning sound chemist Val Jeanty, and bassist Mimi Jones. Their new album MINWI is set to release on May 16, 2026 via Intakt Records. Their improvised electro-acoustic performances move through grooves into freedom.
Candice Hoyes Voice Electronics
Val Jeanty Soundchemist
Mimi Jones Bassist
“Spirit, conjure, necromancy, and memory seem to be some of the grounding ideas behind Nite Bjuti’s stunning, fully improvised sound.” – The New York Times
**Use code LOVEROFBILLS at checkout for $5 off tickets to this performance and other double bills this spring.**