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Amorphous IV

Wednesday, October 26, 20168:00 pm

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Kato Hideki – bass, modular synthesizer
John King – guitar, viola, live electronics
Ursula Scherrer – video projections
Nana Tsuda – dancer, choreographer

Amorphous IV, consisting of Kato Hideki, John King, Ursula Scherrer, and Nana Tsuda, present their first collaboration, a performative installation of sound, light, and movement in which temporal and spatial changes (or no changes) are determined in real time. The audience is encouraged to walk around during the installation. This first-time collaborative project will combine all forms of media within the live installation format.

Brooklyn-based musician, composer, and producer Kato Hideki utilizes a wide range of forms and sounds to create music often based on narrative elements and topical issues. Kato has released 14 albums, including three on Tzadik Records with his trio Death Ambient (members Fred Frith and Ikue Mori). In addition to his own projects, Kato actively collaborates with composers, visual artists and choreographers, including Chris Cochrane, John King, Karen Mantler, Christian Marclay, and John Zorn.

John King is a composer, guitarist and violist who has worked collaboratively with and been commissioned by Kronos Quartet, Bang On A Can All-Stars, Avant Media, and more. The writer of several operas, King recently presented the world premiere of Piano Vectors for six grand pianos at Knockdown Center in Queens, New York. King was the Co-Director of the Music Committee for the Merce Cunningham Dance Company from 2003 until MCDC’s closing at the end of 2011.

The poetic quality of Ursula Scherrer’s work reminds one of moving paintings, drawing the viewer into the images, leaving the viewer with their own stories. Scherrer transforms spaces and landscapes into serene, abstract portraits of rhythm, color and light. A Swiss artist living in New York City, Scherrer’s aesthetic training began with dance, transitioned to choreography, and has now expanded to photography, video, text, mixed media and performance art.

Nana Tsuda explores the authentic physical responses to the subtle qualities of the conceptual and physical world. She has worked with TAKE Dance (2004-12), Robert Wood Dance, Christopher Williams, Mina Nishimura, Adams Company Dance, and Kazuko Hirabayashi Dance Theater. Most recently, Nana performed with Juri Onuk in a music video for Blood Orange, and collaborated with for the multimedia production, In the Box, directed by nissy.

Amorphous IV is made possible, in part, with funds from GENERATE: The Frances Richard Fund for Innovative Artists of Promise supported by Roulette’s generous donors.

GENERATE, instituted in celebration of Roulette’s 35th Anniversary in 2013, aims to present ambitious, complex and often large-scale works of experimental performing art by supporting emerging and established artists with commissions, residencies, and additional production and presentation financial underwriting.

Amorphous IV

Wednesday, October 26, 20168:00 pm

Generate Button

Kato Hideki – bass, modular synthesizer
John King – guitar, viola, live electronics
Ursula Scherrer – video projections
Nana Tsuda – dancer, choreographer

Amorphous IV, consisting of Kato Hideki, John King, Ursula Scherrer, and Nana Tsuda, present their first collaboration, a performative installation of sound, light, and movement in which temporal and spatial changes (or no changes) are determined in real time. The audience is encouraged to walk around during the installation. This first-time collaborative project will combine all forms of media within the live installation format.

Brooklyn-based musician, composer, and producer Kato Hideki utilizes a wide range of forms and sounds to create music often based on narrative elements and topical issues. Kato has released 14 albums, including three on Tzadik Records with his trio Death Ambient (members Fred Frith and Ikue Mori). In addition to his own projects, Kato actively collaborates with composers, visual artists and choreographers, including Chris Cochrane, John King, Karen Mantler, Christian Marclay, and John Zorn.

John King is a composer, guitarist and violist who has worked collaboratively with and been commissioned by Kronos Quartet, Bang On A Can All-Stars, Avant Media, and more. The writer of several operas, King recently presented the world premiere of Piano Vectors for six grand pianos at Knockdown Center in Queens, New York. King was the Co-Director of the Music Committee for the Merce Cunningham Dance Company from 2003 until MCDC’s closing at the end of 2011.

The poetic quality of Ursula Scherrer’s work reminds one of moving paintings, drawing the viewer into the images, leaving the viewer with their own stories. Scherrer transforms spaces and landscapes into serene, abstract portraits of rhythm, color and light. A Swiss artist living in New York City, Scherrer’s aesthetic training began with dance, transitioned to choreography, and has now expanded to photography, video, text, mixed media and performance art.

Nana Tsuda explores the authentic physical responses to the subtle qualities of the conceptual and physical world. She has worked with TAKE Dance (2004-12), Robert Wood Dance, Christopher Williams, Mina Nishimura, Adams Company Dance, and Kazuko Hirabayashi Dance Theater. Most recently, Nana performed with Juri Onuk in a music video for Blood Orange, and collaborated with for the multimedia production, In the Box, directed by nissy.

Amorphous IV is made possible, in part, with funds from GENERATE: The Frances Richard Fund for Innovative Artists of Promise supported by Roulette’s generous donors.

GENERATE, instituted in celebration of Roulette’s 35th Anniversary in 2013, aims to present ambitious, complex and often large-scale works of experimental performing art by supporting emerging and established artists with commissions, residencies, and additional production and presentation financial underwriting.

 

Amorphous IV Live at Roulette Oct 26, 2016