Sarah Maria Sun — Voice
Joined by International Contemporary Ensemble
Pamela Z — voice, electronics
Gelsey Bell — voice
Closing night of the Resonant Bodies Festival begins with German soprano Sarah Maria Sun collaborating with International Contemporary Ensemble (ICE) on works by Georges Aperghis, Rebecca Saunders, Thierry Tidrow, and Màtyàs Seiber; the legendary San Francisco-based Pamela Z will perform a number of her compositions for voice and electronics; and renowned composer/soprano and 2014 Resonant Bodies Festival performer Gelsey Bell returns.
Resonant Bodies Festival was founded to catalyze the creation of new vocal music, to expand the audience for new vocal music, and to challenge and transform the role of the vocal recitalist. Since its inception in 2013, RBF has been greeted with sustained critical acclaim and the delight of audiences and vocalists alike. For three nights every September in New York City, nine vocalists are given curatorial carte blanche over a forty-five minute set. This freedom—rarely granted to vocalists in the contemporary music world—gives each show a “happy zealousness, where the singers’ enthusiasm for their repertoire [is] contagious” (Sequenza 21). Thanks to a generous grant from the Ellis L. Phillips Foundation, RBF had its Australian debut at the Melbourne Recital Centre on May 17, 2017, which was greeted with much enthusiasm from the international vocal music community. Since then, RBF has expanded to include festivals in Chicago and Sydney, with an LA festival slated for 2019. In addition to the festivals, RBF reaches 25,000+ listeners around the globe through MRMR, the Festival’s extensive collection of online resources. MRMR includes: professional audio, video, and photo documentation of each Festival; Resonant Bodies Podcast, which features in-depth interviews with vocalists year-round; and the Contemporary Vocal Music Database, an open, crowdsourced, searchable index of 20th and 21st century vocal works with links to musical scores, as well as audio and video recordings. The Database aids composers in promoting their works to a larger audience, and assists vocalists in their search for new and meaningful repertoire.
German soprano Sarah Maria Sun is regarded as one of the foremost leading specialists of contemporary music with a repertoire spanning more than 700 catalogued works and world premieres. Her unique artistry has captured the attention of the world’s leading composers, from Heinz Holliger, Helmut Lachenmann, Salvatore Sciarrino to Dieter Schnebel, working closely with them to explore and expand techniques within new vocal music and music theatre.Her demand as an interpreter of music ranging from the 16th to the 21st century has brought her many successful collaborations with esteemed conducters like Sir Simon Rattle, Kent Nagano, Thomas Hengelbrock, Susanna Mälkki and Christoph Spering in concerts with such world renowned orchestras as the Berlin Philharmonic and the Leipzig Gewandhaus. From 2007-2014 she was the first soprano of the internationally-renowned Neue Vocalsolisten Stuttgart, an ensemble which has been at the forefront of contemporary music for the past 30 years. Besides numerous radio recordings, her discography includes various CDs for the Labels Harmonia Mundi (CPE Bach: Die Israeliten in der Wüste, award of spanish record-critics), TESTKLANG (Lied-Cycles by Arnold Schönberg, Johannes Schöllhorn, Hanns Eisler, Luc Ferrari), Hänssler Profil (John Dowland), NEOS (Hans Thomalla), Col Legno (Zeynep Gedizlioglou, John Zorn, Luis Codera Puzo), Tzadik (John Zorn), Kairos (Alberto Posadas), Ensemble Modern Medien (Arnulf Herrmann).
Pamela Z is a San Francisco-based composer/performer and media artist who works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she creates solo works combining experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures. In addition to her solo work, she has been commissioned to compose scores for dance, theatre, film, and new music chamber ensembles including Kronos Quartet and the Bang on a Can Allstars. Her large-scale multi-media works have been presented at venues including Theater Artaud and ODC in SanFrancisco, and The Kitchen in New York, and her media works have been presented in exhibitions at the Whitney Museum (NY) , the Diözesanmuseum (Cologne), and the Krannert Art Museum (IL). Her multi-media opera Wunderkabinet – inspired by the Museum of Jurassic Technology (co-composed with Matthew Brubeck) has been presented at The LAB Gallery (San Francisco), REDCAT (Disney Hall, Los Angeles), and Open Ears Festival, Toronto. Pamela Z has toured extensively throughout the US, Europe, and Japan. She has performed in numerous festivals including Bang on a Can at Lincoln Center (New York), Interlink (Japan), Other Minds (San Francisco), La Biennale di Venezia (Italy), and Pina Bausch Tanztheater Festival (Wuppertal, Germany). She is the recipient of numerous awards including a Guggenheim Fellowship, the Doris Duke Artist Impact Award, the Creative Capital Fund, the Herb Alpert Award in the Arts, The MAP Fund, the ASCAP Music Award, an Ars Electronica honorable mention, and the NEA and Japan/US Friendship Commission Fellowship. She holds a music degree from the University of Colorado at Boulder.
Described by the New York Times as “the future of experimental vocalism,” an “imaginative,” “brandy-voiced,” “winning soprano,” whose performance of her own music is “virtuosic” and “glorious noise,” Gelsey Bell is a New York City-based singer, songwriter, and scholar. Her performance creations have been presented internationally. She has released multiple albums, including most recently Ciphony with John King, and Toyland, with Joseph White. She was a 2017 recipient of the Foundation for Contemporary Arts Music/Sound grant and she is currently the EtM Ridgewood Bushwick Composer-in-Residence. Her works include Bathroom Songs, Scaling, Our Defensive Measurements, This Takes Place Close By (with thingNY), Prisoner’s Song (with Erik Ruin), and the acclaimed adaptation of Robert Ashley’s Perfect Lives (with Varispeed). She is a core member of thingNY, Varispeed, and the Chutneys. Her work has been commissioned by the Jerome Foundation/Roulette, Ne(x)tworks, Avant Media, and the Lumen Festival. She also wrote and performed music for Anna Sperber’s Wealth from the Salt Seas, Compagnie CNDC-Angers’s performance of Merce Cunningham’s EVENT, directed by Robert Swinston, and Kimberly Bartosik’s You are my heat & glare. Other performance highlights include Dave Malloy’s Natasha, Pierre, & the Great Comet of 1812(on Broadway) and Ghost Quartet, Robert Ashley’s Crash, Matthew Barney and Jonathan Bepler’s River of Fundament, John King’s Micro-Operas, Yasuko Yokoshi’s BELL, Kate Soper’s Here Be Sirens, and Gregory Whitehead’s On the Shore Dimly Seen, for which she offered original vocal improvisations. She has a PhD in Performance Studies from NYU and is currently completing a book about American experimental vocal music in the 1970s. She is the Critical Acts Co-editor for TDR/The Drama Reviewand the Reviews Editor for The Journal of Interdisciplinary Voice Studies. www.gelseybell.com
This performance is a co-production between Roulette and Resonant Bodies Festival.