Bearthoven: New Works

What: Piano trio Bearthoven teams up with four critically lauded composers to perform new works for modern anxieties.
When: Wednesday, February 27, 2018, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 Online $25 Doors
Info: // (917) 267-0368

Brooklyn, NY — Fresh off the release of their 2017 album Trios, Bearthoven performs three NYC premieres by a collection of America’s strongest upcoming compositional voices — Kristina Wolfe, Adam Roberts, Shelley Washington, and Scott Wollschleger.

Bearthoven [ \’bâr-toh-vən\ ] is a piano trio creating a new repertoire for a familiar instrumentation by commissioning works from leading young composers. Karl Larson (piano), Pat Swoboda (bass), and Matt Evans (percussion) have combined their individual voices and diverse musical backgrounds to create a versatile trio focused on frequent and innovative commissioning of up-and-coming composers. Bearthoven is rapidly building a diverse repertoire by challenging composers to apply their own voice to an instrumentation that, while common amongst jazz and pop idioms, is currently foreign in the contemporary classical world.

Shelley Washington writes music to fulfill one calling- to move. With an eclectic palette, Washington tells sonic stories with a range of direction and change. Her major body of work is written for saxophone and large or small chamber ensembles. Besides composition, Washington is an active baritone saxophonist and vocalist.

Adam Roberts writes music that takes listeners on compelling journeys while drawing on a vivid array of sonic resources. Roberts’ music has been performed by ensembles such as the Arditti Quartet, the JACK Quartet, le Nouvel Ensemble Moderne, the Callithumpian Consort, Earplay, andPlay duo, Transient Canvas, Ums ‘n Jip, Fellows of the Tanglewood Music Center, the Boston Conservatory Wind Ensemble, the Association for the Promotion of New Music, violist Garth Knox, Guerilla Opera, and at festivals such as Wien Modern (Vienna), Tanglewood, the Biennale Musique en Scene (Lyons), and the 2009 ISCM World Music Days (Sweden).

Kristina Wolfe spent many of her formative years wandering through the forests of Mols Bjerge (near the city of Aarhus) in Denmark listening to the sounds of space and place. This environment, rich with neolithic graves, stone markers, and ancient roadways cultivated her imagination and creative focus on the spirits of the past, and has inspired her composition and listening practices up to the present day.