Multimedia: Past

Can you transform a room using just acoustic phenomena, pattern manipulation, immersion, and durational composition complicated by chance?

Drummers with curiosity about hybrid systems engage the acoustic, electronic, and mechanical to test Roulette’s 12-channel immersive system.

The Paper Dance is a new work of dance, theatre and film that is interlaced by a narrative of transformation.

Transfigure is the third and final creation in a triptych of collaboratively written, evening-length musical compositions.

The world premiere of Gary Lucas' solo guitar score accompanying Orson Welles' rediscovered surreal silent comedy "Too Much Johnson."

Matt Mehlan unveils a suite of compositions and a new band featuring old collaborators.

As the longest night of the year unfolds, join us for an hour or 6 of Phill Niblock’s annual immersive, multimedia Winter Solstice concert.

In Hamsa,the gamelan becomes a vessel for realizing musical symmetries built on interlocking fragments woven together in a tessellation.

The signal as medium: performance, installation, and video focusing on algorithms, sonic to visual translation, and rule-based structures.

Performances and screenings using the medium of broadcast to explore the variables of the televisual and its shifting visual language.