Multimedia: Past

The world premiere of Gary Lucas' solo guitar score accompanying Orson Welles' rediscovered surreal silent comedy "Too Much Johnson."

Matt Mehlan unveils a suite of compositions and a new band featuring old collaborators.

As the longest night of the year unfolds, join us for an hour or 6 of Phill Niblock’s annual immersive, multimedia Winter Solstice concert.

In Hamsa,the gamelan becomes a vessel for realizing musical symmetries built on interlocking fragments woven together in a tessellation.

The signal as medium: performance, installation, and video focusing on algorithms, sonic to visual translation, and rule-based structures.

Performances and screenings using the medium of broadcast to explore the variables of the televisual and its shifting visual language.

Performances and screenings using video technology to investigate imagined spaces, VR, architecture, and objects both real and fantastical.

Amorphous IV presents their first collaboration, a performative installation of sound, light, and movement.

Elke Rindfleisch presents Horsepower, a solo piece that culminates in a community of all-female performers.

Buchla pioneer Suzanne Ciani performs her first solo concert in New York since 1975.