Tag: Dispatches

Dispatch: Jaap Blonk

Dutch avant-garde composer and performance artist Jaap Blonk performs an iteration of a recent piece at home in the Netherlands. His absurd multimedia work YappiScope with live visual accompaniment was originally included in Roulette’s 2020 spring season and has been postponed. Blonk’s latest recordings can be heard here and here.


As a vocalist, the self-taught Dutch composer, performer, and sound poet Jaap Blonk is unique for his powerful stage presence and keen grasp of structure, even in free improvisation. He has performed around the world, on all continents. With the use of live electronics, and sometimes projection of visuals, the scope and range of his concerts has acquired a considerable extension. Blonk has been performing since the early 70s and has worked with The Ex, Mats Gustafsson, Joan La Barbara, Michael Zerang, John Tchicai, Tristan Honsinger and many others. At the start, Blonk’s unfinished studies in mathematics and musicology mainly created a penchant for activities in a Dada vein, as did several unsuccessful jobs in offices and other well-organized systems. In the last decade, his renewed interest in mathematics made him start a research of the possibilities of algorithmic composition for the creation of music, visual animation, and poetry.


As part of our Roulette at Home digital initiative, Dispatches is a set of brief communications or small collections of new work from artists, sent directly to our community—a way to remain connected and engaged in a time marked by distance and isolation caused by COVID-19.

Dispatch: Simon Hanes

Simon Hanes from Roulette Intermedium on Vimeo.

Roulette TV catches up with composer Simon Hanes, whose performance was originally scheduled for June, via video chat. Hanes talks about working virtually and finding new ways to make art that transfers the impression of proximity with collaborators that are apart.


Tredici Bacci — a 14-piece group of musicians all under the age of 30 — sounds, to the thoughtful listener, like a celebration. A celebration not of a genre of music, but rather of an era, and, more specifically, the aspects of an era which perhaps have been glossed over by conventional history. To that end, Tredici Bacci celebrates the strange, somewhat seedy, schmaltzy and smooth aspects of 1960s-70s popular culture. The songs are cries in honor to the many artifacts which seem now to be the strange leavings of a recently liberated nation — the sensuous oddities leftover from an entirely different world.

Over the last few years, young musician and composer Simon Hanes has worked tirelessly to channel his deep love and infatuation with 1960s / 1970s soundtrack music into his own personal vision and homage to the style through dedicated songwriting, and the integration of the totality of his musical influences. After graduating from New England Conservatory and spending time playing bass in the then-Boston-based No(ise) Wave unit Guerilla Toss, Hanes adopted the “Luxardo” persona as an arranger, composer, conductor, and guitarist, and went on to assemble a band of epic orchestral proportions. Consisting of close friends and fellow classically-trained musicians, the resulting band is the ambitiously sizable 14-piece Tredici Bacci. The band’s first full-length album, Amore Per Tutti, was released by NNA Tapes in November 2016. simonhanes.com


As part of our Roulette at Home digital initiative, Dispatches is a set of brief communications or small collections of new work from artists, sent directly to our community—a way to remain connected and engaged in a time marked by distance and isolation caused by COVID-19.

Dispatch: Muyassar Kurdi

Muyassar Kurdi is a New York City-based interdisciplinary artist working across sound, performance, movement, visual arts, and film. Kurdi’s 2020 Roulette Commission Vast Geographiesa performance with bassist Luke Stewart based in ritual exploring ecology, movement in stillness, walking, embodiment, and sound as liquid architecture—originally set for April 22, 2020 has been postponed due to the pandemic.

Kurdi shares a series of paintings done in the midst of total isolation in NYC since mid-March. Kurdi notes, “I feel painting has been my main activity during quarantine because it’s meditative and deepens my exploration in color. Color has been really healing.”

All painting from April 2020. 35mm film photo by Maren Celeste.

As part of our Roulette at Home digital initiative, Dispatches is set of brief communications or small collections of new work from artists, sent directly to our community—a way to remain connected and engaged in a time marked by distance and isolation.