Commissions + Residencies + Fellowships

Wendy Eisenberg is a guitarist, composer, improviser, poet and songwriter. Spanning genres from jazz, noise, rock, and folk song, Wendy’s singular style as a guitarist and writer pushes the timbral, textural, and contextual domain of the guitar into increasingly unusual realms. Their writing expresses deep, nuanced emotional landscapes, aiming to share under-recognized intimacies between community and absence, reference and the limits of identity. Wendy’s considerable abilities as a solo artist and dedicated collaborator have given them many varied opportunities to share their work, from international tours and festivals to intimate basements and outdoor shows, from vinyl releases on established labels to DIY tape runs. They have been commissioned by the International Contemporary Ensemble, National Sawdust, and Roulette; published writings on music in John Zorn’s arcana series, The Contemporary Music Review, and Sound American; and have had their musicianship profiled in The Wire, Pitchfork, The Washington Post, and many other publications of note.

Muyassar Kurdi (b. 1989 in Chicago) is a New York City-based interdisciplinary artist. Her work encompasses sound art, extended vocal technique, performance art, movement, painting, analog photography and film. She has toured extensively in the U.S. and throughout Europe. She currently focuses her attention to interweaving homemade electronic instruments into her vocal and dance performances, stirring a plethora of emotions from her audience members through vicious noise, ritualistic chants, and meditative movements. Some recent projects include: Where My Olive Trees Grow performed at Roulette Intermedium, Birth of a Thousand Moons solo exhibition, ألوان (Colors)- a digital & 35mm short dance film shot in Red Hook Brooklyn and Seven Voices- a multi-channel project for seven voices that was recorded during her artist residency at EMS in Stockholm. She also released Travelling and Birth of a Thousand Moons on NORENT Records, Intersections and Variations & Voice Games (duo with Ka Baird) on Astral Spirits. Publications include KunstMuzik Journal and Array Journal: Gender and Sound Technology. Kurdi’s 16mm short dance film trilogy Travelling, A Song for Many Women, and Field Dances screened throughout Europe and NYC. She taught workshops in movement and voice throughout Europe most notably Portugal at Zaratan – Arte Contemporânea and in Istanbul Turkey at Bilgi University and Cultur as well as a MoMA PS1 workshop in NYC. Kurdi was a finalist in the Jerome Hill Artist Fellowship 2023, she was awarded a Roulette Intermedium 2020 commission and artist residency 2022 (with support from Jerome Foundation). She is also the recipient of the Queens Fund New Works Grant, NYFA City Artist Corps grant, and Puffin Foundation grant. Recent residencies include: Harvestworks and The Watermill Center with OPERA ensemble.

Performance highlights include: Roulette Intermedium, Center For Performance Research, Lincoln Center, The Rubin Museum of Art, Issue Project Room, Cafe OTO, Chicago Cultural Center, Center for Contemporary Art Laznia, Fridman Gallery, University Galleries, Zaratan – Arte Contemporânea, and Judson Memorial Church as well as exhibitions and film screenings (solo and group works) at VIERTE WELT, Trieze Gallery, Knockdown Center, Queens Museum, Spectacle Theatre, and Anthology Film Archives.

New York City-based multi-instrumentalist, producer, composer, and engineer Morgan Guerin has spent his entire life exploring new and exciting ways to navigate sound. Dubbed a “wunderkind saxophonist and multi-instrumentalist” by The New York Times, Guerin was born into a musical family with a pianist mother and bassist father. Born right outside of New Orleans, Louisiana, Guerin gravitated towards the drums when he was just a few months old and started playing the saxophone when he was seven. He moved to Atlanta in 2009 to complete middle and high school, where he also began playing more instruments and getting deeper into engineering and production. He then moved to New York City in 2016. Guerin is skilled in several instruments, including bass, saxophones, electronic wind instrument (EWI), drums, and keys. Notable collaborators include Terri Lyne Carrington, Esperanza Spalding, Kassa Overall, and Tyshawn Sorey. In 2016, the Huffington Post named his debut album, “The Saga,” one of the year’s best Jazz albums. In 2017, Stereogum highlighted his sophomore album, “The Saga II,” as one of the best new albums. He was featured on Terri Lyne Carrington & Social Science’s Grammy-nominated album, “Waiting Game.” He was also a songwriter and co-producer of Esperanza Spalding’s 2019 Grammy-winning record, “12 Little Spells”. His third album, “The Saga III,” was released on September 18, 2020. Since then, Guerin has been commissioned to write works for Roulette, The Jazz Gallery, The Jazz Coalition, and violinist Jennifer Koh.

Joanna Mattrey is a violist working in free improvisation, new music, and classical music. She uses extended techniques, modern compositional approaches, and electronic alterations to challenge the conventions of the viola. Drawing on her training in Alexander Technique, Yoga, and Martial Arts, Joanna creates an embodied performance practice centered on ceremony and ritual. Recent solo works include, ‘Dirge’ (Dear Life Recs 2021), ‘Veiled’ (Relative Pitch Records, 2020). As part of her solo commissioning project, Mattrey has premiered compositions by leading improvisors Nick Dunston, Lucie Vitkova, Weasel Walter, Leila Bordreuil, Anthony Coleman, and Matt Mitchell, and Mattrey’s own piece for performer and sculpture installation ‘Weaver’. Mattrey is a current Roulette artist-in-residence. Past residencies include ISSUE Project Room, Banff’s Creative Gesture for Composers and Choreographers, 14th Street Y, Wild Project, and MoMa PS1’s ALLGOLD. Mattrey has performed with icons Tyshawn Sorey, Henry Threadgill, Marc Ribot, John Zorn, Mary Halvorson, Billy Martin, Elliott Sharpe, Miya Masaoka, Charmaine Lee, among others. www.joannamattrey.com / https://joannamattrey.bandcamp.com

eddy kwon (b. 1989) is an interdisciplinary artist based in Lenapehoking. Her practice connects composition, performance, improvisation, dance, and ceremony to explore transformation & transgression, ritual practice as a tool to queer ancestral lineage, and the use of mythology to connect, obscure, and reveal. She collaborates with artists of diverse disciplines, including The Art Ensemble of Chicago, Senga Nengudi, Du Yun, International Contemporary Ensemble, Tomeka Reid, Holland Andrews, Degenerate Art Ensemble, and the improvisational collective tombstar. She has performed in ensembles with Mary Halvorson, Susan Alcorn, Moor Mother, Fay Victor, Nicole Mitchell, and more. She is a United States Artists Fellow, Johnson Fellow at Americans for the Arts, Van Lier Fellow at Roulette Intermedium, and Andrew W. Mellon Artist-in-Residence at the Colorado Springs Fine Arts Center. www.eddykwon.net

For a period that’s spanned the majority of her life, multi-instrumentalist Jennifer Simone has built a sacred relationship with music throughout her career.

Born in Savannah, Georgia, and raised in Cincinnati, OH, the bulk of her musical roots comes from her southern-based family and the eclectic melting pot Cincinnati exposed her to. Growing up listening to and playing jazz, she learned the importance of improvising and channeling the flow of music, influencing the experimental style she has today. Inspired by life and its many seasons, nature and its many wonders as well as her spirituality, she is consistently pushing the boundaries of what music means to both her and her audience. As she grew into her sound, she’s played at every nearly every venue in Cincinnati and has opened for notable acts such as Helado Negro, Laraaji, and Tank and the Bangas. As she expanded, she has toured and played at several venues across the country, including the Diego Rivera room housed inside The Detroit Institute of the Arts.She then moved on to curating shows, collaborating and networking with other indie artists.

Simone pours her myriad of both life and musical experiences into an immersive, interactive show in which she uses a carefully trained ear to layer each sound using a loop pedal to blend together into an inclusive and healing encounter for her audience. By combining her expertise in the saxophone, flute, guitar, piano, cello, drums, and various other forms of percussion with her most intimate instrument of all, her voice, she creates a completely improvised moment in time that is truly an experience for its listeners.

Currently, Jennifer Simone is based in Brooklyn, NY, and can be found busking in the NYC train stations when she’s not working on her passion project, The Moon Show Series with Jennifer Simone, an intimate show she plans to curate every full moon.

Lester St. Louis (b.1993) is a New York born and based Composer, Improviser, Cellist, Sound Designer and Curator.

His work traverses through performance, installation, curation, artistic research and recording. His works are rooted in dynamic environments of improvisation both sonically and socially, ecstatic sound worlds. flow and interaction. He has performed internationally throughout The U.S, The E.U, Canada, China and in South America; and collaborates with artists such as Chris Williams [under the moniker HxH], Edi Kwon Jaimie Branch, Dre A. Hočevar, Charmaine Lee, Isabel Crespo Pardo, Nikima Jagudajev, Emeka Okereke, TAK Ensemble, The International Contemporary Ensemble, Random International, Superblue, Terrence Nance, Found Sound Nation, Amirtha Kidambi and many more. As a composer, Lester has been commissioned by artists such as The JACK Quartet, RAGE THORMBONES, Jennifer Koh, String noise Ghost Ensemble among others. He is deeply excited to see what new ventures and collaborations the future may bring and those that will be made.

Gryphon Rue (b. New York, NY) is an artist, composer, and musician. Rue’s music, constructed of complex patterns derived from singing saw, harmonium, and custom synthesizers, discloses a fascination with electroacoustic mimetic potential — the ability to suggest biological actions, molecular events, possession, nourishment — and is above all, made with people’s pleasure in mind.

Rue has performed and lectured internationally at venues such as de Young Museum, Montreal Museum of Fine Arts, The Hepworth Wakefield, Kunsthalle Düsseldorf, The Shigeko Kubota Foundation, Hauser & Wirth, Pace Gallery, Roulette Mixology Festival, New Media Art & Sound Summit, Take Off Festival, Festival Hongerige Wolf, i = u Festival, Kathy Acker Awards.

Rue’s album A Spirit Appears to a Pair of Lovers will be released August 26 on Not Not Fun Records, and features ten videos made by eight intergenerational collaborators.

Photo: Charlotte de Mezamat

DeForrest Brown, Jr. is an Alabama-raised, Ex-American rhythmanalyst, writer and representative of the Make Techno Black Again campaign. As Speaker Music, he channels the African American modernist tradition of rhythm and soul music as an intellectual site and sound of generational trauma, bursting through the frames of Western music and thought. His written work explores the links between the Black experience in industrialized labor systems and Black innovation in electronic music. On Juneteenth of 2020, he released the album Black Nationalist Sonic Weaponry on Planet Mu, and Primary Information will publish his first book, Assembling a Black Counter-Culture in 2022.

Brooklyn-bred artist Adam O’Farrill has been heralded as “among the the leading trumpeters in jazz- and perhaps the music’s next major improviser.” (The New York Times). Born into a musical legacy that includes composer Chico O’Farrill and pianist Arturo O’Farrill, Adam has cemented his status as one of creative music’s most in-demand voices, collaborating with Mary Halvorson, Rudresh Mahanthappa, Mulatu Astatke, Samora Pinderhughes, Anna Webber, Vijay Iyer, Mahogany L. Browne, Kambui Olujimi, and Stimmerman. In 2021, Adam released his third album, Visions of Your Other (Biophilia Records), with his quartet, Stranger Days. The album was listed as one of the best albums of 2021 by The New York Times, won the Preis der deutschen Schallplattenkritik, and The Wall Street Journal wrote of the album, “Mr. O’Farrill’s music is refined and discreet; it integrates aspects of art rock and contemporary classical music and boasts a cinematic influence.” For his work as a composer and bandleader, Adam has received awards, commissions, and grants from the ASCAP Foundation, the Aaron Copland Fund for Music, The Jazz Gallery, Roulette, The Shifting Foundation, and South Arts.

New York City-based multi-instrumentalist, producer, composer, and engineer Morgan Guerin has spent his entire life exploring new and exciting ways to navigate sound. Dubbed a “wunderkind saxophonist and multi-instrumentalist” by The New York Times, Guerin was born into a musical family with a pianist mother and bassist father. Born right outside of New Orleans, Louisiana, Guerin gravitated towards the drums when he was just a few months old and started playing the saxophone when he was seven. He moved to Atlanta in 2009 to complete middle and high school, where he also began playing more instruments and getting deeper into engineering and production. He then moved to New York City in 2016. Guerin is skilled in several instruments, including bass, saxophones, electronic wind instrument (EWI), drums, and keys. Notable collaborators include Terri Lyne Carrington, Esperanza Spalding, Kassa Overall, and Tyshawn Sorey. In 2016, the Huffington Post named his debut album, “The Saga,” one of the year’s best Jazz albums. In 2017, Stereogum highlighted his sophomore album, “The Saga II,” as one of the best new albums. He was featured on Terri Lyne Carrington & Social Science’s Grammy-nominated album, “Waiting Game.” He was also a songwriter and co-producer of Esperanza Spalding’s 2019 Grammy-winning record, “12 Little Spells”. His third album, “The Saga III,” was released on September 18, 2020. Since then, Guerin has been commissioned to write works for Roulette, The Jazz Gallery, The Jazz Coalition, and violinist Jennifer Koh.

Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming,” (Point of Departure) Brooklyn-based Tomas Fujiwara is an active player in some of the most exciting music of the current generation. He leads the bands Triple Double, 7 Poets Trio, and Tomas Fujiwara & The Hook Up; is a member of the collective trio Thumbscrew (with Mary Halvorson and Michael Formanek); has a collaborative duo with Taylor Ho Bynum; and engages in a diversity of creative work with Anthony Braxton, John Zorn, Mary Halvorson, Tomeka Reid, Matana Roberts, Taylor Ho Bynum, Nicole Mitchell, Ben Goldberg, Amir ElSaffar, Benoit Delbecq, and many others. In 2021, he won the Downbeat Critics Poll for Rising Star Drummer, and premiered two suites of new music as part of his Roulette Residency: “You Don’t Have to Try” (with Meshell Ndegeocello) and “Shizuko.” Tomas Fujiwara’s Triple Double released its second album, “March,” in 2022 on Firehouse 12 Records. “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint…A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.” (New York Times)