Anaïs Maviel is a 2019 Van Lier Fellow
I dreamed a piece involving synthesizers and custom-made percussion instruments, played by an ensemble of vocalists/multi-instrumentalists—mediators between ancient, future and the multiple relations of sound to self, space and time. This is the premise for developing songs as cells of an organism, parting and fusing fragments of an ever-changing story of one and many characters, reflecting micro and macro-cosmos of a transitory moment, aka this time around.
Anaïs Maviel is a vocalist, percussionist, composer, music director, and community facilitator. Her work focuses on the function of music as essential to settling common grounds, addressing Relation, and creating a utopian future. Inspired by Edouard Glissant’s reflections on Creolization, she has associated her practice with the inextricable currents that move spaces and people between times and lands. The contemporary context of re-formulation of self, reality and social structures led her to question the use of language, and to explore its vibratory essence in music. Involved at the crossroads of mediums – music, visual art, dance, theater and performance art – she has been an in-demand creative force for artists such as William Parker, Steffani Jemison, Daria Faïn, Larkin Grimm, Shelley Hirsch, Mara Rosenbloom, Melanie Maar & La Bomba de Tiempo – to give a sense of her eclectic company. As a leader she is dedicated to substantial creations from solo to large ensembles, music direction for cross-disciplinary works, and to expanding the power of music as a healing & transformative act. She performs extensively in New York, as well as in North, Central & South America and Europe. Her solo debut hOULe, out on Gold Bolus Recordings, received international acclaim and she recently released an eponymous album with carnivalesque duo DIASPORA. With a Masters Degree in Aesthetics (Literature, Arts & Contemporary Though – Paris VII Diderot University), she focused her scholarly works on Afrocentric paradigms of Creative Music as utopian alternative politics. Anaïs Maviel pursues essay and poetic writings as part of her artistic inquiry and published a recent article in French magazine Revue et Corrigée, interviewed by bassist and collaborator Maxim Petit about the stakes of multiculturalism in contemporary music. Recent achievements also include: Co-Music Director for NOISE, a new musical by César Alvarez (Public Theater, NYC, 2018) Full length work Metadire premiered by Cross Times (Roulette, NYC, 2018) DIáSPORA eponymous album release on São Paulo based label Hérnia de Discos as the culmination of a South, Central & North America tour in partnership with Chiquita Magic (Argentina, Chile, Brazil, Colombia, Peru, Mexico, United States, Canada, 2017-2018) Composer, Music Director & Performer for “Mayday Heyday Parfait” in collaboration with the Commons Choir, Daria Faïn, Robert Kocik & Darius Jones (BRIC, NYC, 2017) Lectures & Master Classes at UNILAB – University for International Integration of the Afro-Brazilian Lusophony (Redenção, BR), MAMAM – Museum of Modern Art Aloísio Magalhães (Recife, BR, 2017) & Espacio Fundación Telefónica (Lima, PER, 2018) Composer, Music Director & Performer for Urban Bush Women’s Summer Leadership Institute “Undoing Racism” final performance, Kumble Theater, NYC, 2016.
Anaïs Maviel is a 2019 Roulette Van Lier Fellow. This duet is made possible by the Edward and Sally Van Lier Fund of the New York Community Trust.
Photo: Jonatan Malm (right, instrument-maker) Anaïs Maviel (left), video still from Léa Lanoë ‘s collaboration work with AM