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The Oliver Lake Reunion Trio

Sunday, April 22, 20078:30 pm

The Oliver Lake Reunion Trio

featuring Pheeroan akLaff and Michael Gregory.
Oliver Lake: reeds, Pheeroan akLaff: drums, Michael Gregory: guitar

Live taping for Roulette TV.

Oliver Lake:”It’s all about choices,” states modern Renaissance Man Oliver Lake to explain his expansive artistic vision. An accomplished poet, painter and performance artist, Lake has published a book of poetry entitled Life Dance, has exhibited and sold a number of his unique painted-sticks at the Montclair Art Museum, and has toured the country with his one-man performance piece, Matador of 1st and 1st. But it’s his extraordinary talents as composer, saxophonist, flautist and bandleader that have brought him world-renown. Although his greatest reputation exists in the world of jazz, Lake’s amazingly eclectic musical approach is best expressed by his popular poem SEPARATION: put all my food on the same plate!

Whether composing major commissioned works for the Pro Musica Chamber Orchestra and the Brooklyn Philharmonic; creating chamber pieces for the Arditti and Flux String Quartets, the Amherst Sax Quartet and the San Francisco Contemporary Players; arranging for pop diva Bjork, rocker Lou Reed and rap group A Tribe Called Quest; collaborating with poets Amiri Baraka and Ntozake Shange, choreographers Ron Brown and Marlies Yearby, Native American vocalist Mary Redhouse, Korean kumongo player Jin Hi Kim, and Chinese bamboo flute player Shuni Tsou; doing unique performances with MacArthur Award recipients, actress/author Anna Devere Smith and writer/law professor/political commentator Patricia Williams; sharing the stage with hip-hop artist Mos Def and pop star Me’shell Ndegeocello; or leading his own Steel Quartet, Big Band and cooperative ensembles the World Saxophone Quartet and Trio 3; Oliver views it all as parts of the same whole: dixieland, be-bop, soul, rhythm & blues, cool school, swing, avant-garde jazz, free jazz, rock, jazz rock…

Pheeroan akLaff has performed internationally since 1975. He is known for his ability to transform the drumset into an orchestral force supporting the many ensembles he has led or accompanied. (Including a stint with New York City Opera in the premier of “X” by Anthony Davis.) He has conducted educational workshops in several countries of Africa and Asia. His latest CD as a leader/composer is entitled Global Mantras (Modern Masters 1998), a World Beat Jazz extravaganza with Asian and African American themes. It features Oliver Lake, Michael Cain, Scott Robinson, Josh Roseman and a cast of celebrated virtuosos.

Born Michael Gregory Jackson in New Haven, Connecticut, Michael began to play guitar at the age of seven. In his teens he often performed his own material during solo gigs and band appearances. Among Michaels early influences were Jimi Hendrix, Miles Davis, John Coltrane, Son House, Led Zeppelin, Joni Mitchell and Igor Stravinsky. His father exposed him to Wes Montgomery, Mahalia Jackson, Les Paul, Mary Ford, and early George Benson, and Michael’s musical destiny began to take shape.

Progressive improvised music composer and trumpeter, Wadada Leo Smith, influenced Gregory to look beyond the boundaries of rock, folk and mainstream jazz, and soon Michael was playing avant-garde music with Smith and such other notables as pianist Anthony Davis, saxophonists Julius Hemphill, David Murray and Oliver Lake. During this period, Gregory notes, “I learned that it was ok to try different things, to experiment. If I had a song that was going one way, it was all right to make it go in another direction or to add diverse elements. I’ve allowed myself to be creatively and stylistically liberated.”

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The Oliver Lake Reunion Trio

Sunday, April 22, 20078:30 pm

The Oliver Lake Reunion Trio

featuring Pheeroan akLaff and Michael Gregory.
Oliver Lake: reeds, Pheeroan akLaff: drums, Michael Gregory: guitar

Live taping for Roulette TV.

Oliver Lake:”It’s all about choices,” states modern Renaissance Man Oliver Lake to explain his expansive artistic vision. An accomplished poet, painter and performance artist, Lake has published a book of poetry entitled Life Dance, has exhibited and sold a number of his unique painted-sticks at the Montclair Art Museum, and has toured the country with his one-man performance piece, Matador of 1st and 1st. But it’s his extraordinary talents as composer, saxophonist, flautist and bandleader that have brought him world-renown. Although his greatest reputation exists in the world of jazz, Lake’s amazingly eclectic musical approach is best expressed by his popular poem SEPARATION: put all my food on the same plate!

Whether composing major commissioned works for the Pro Musica Chamber Orchestra and the Brooklyn Philharmonic; creating chamber pieces for the Arditti and Flux String Quartets, the Amherst Sax Quartet and the San Francisco Contemporary Players; arranging for pop diva Bjork, rocker Lou Reed and rap group A Tribe Called Quest; collaborating with poets Amiri Baraka and Ntozake Shange, choreographers Ron Brown and Marlies Yearby, Native American vocalist Mary Redhouse, Korean kumongo player Jin Hi Kim, and Chinese bamboo flute player Shuni Tsou; doing unique performances with MacArthur Award recipients, actress/author Anna Devere Smith and writer/law professor/political commentator Patricia Williams; sharing the stage with hip-hop artist Mos Def and pop star Me’shell Ndegeocello; or leading his own Steel Quartet, Big Band and cooperative ensembles the World Saxophone Quartet and Trio 3; Oliver views it all as parts of the same whole: dixieland, be-bop, soul, rhythm & blues, cool school, swing, avant-garde jazz, free jazz, rock, jazz rock…

Pheeroan akLaff has performed internationally since 1975. He is known for his ability to transform the drumset into an orchestral force supporting the many ensembles he has led or accompanied. (Including a stint with New York City Opera in the premier of “X” by Anthony Davis.) He has conducted educational workshops in several countries of Africa and Asia. His latest CD as a leader/composer is entitled Global Mantras (Modern Masters 1998), a World Beat Jazz extravaganza with Asian and African American themes. It features Oliver Lake, Michael Cain, Scott Robinson, Josh Roseman and a cast of celebrated virtuosos.

Born Michael Gregory Jackson in New Haven, Connecticut, Michael began to play guitar at the age of seven. In his teens he often performed his own material during solo gigs and band appearances. Among Michaels early influences were Jimi Hendrix, Miles Davis, John Coltrane, Son House, Led Zeppelin, Joni Mitchell and Igor Stravinsky. His father exposed him to Wes Montgomery, Mahalia Jackson, Les Paul, Mary Ford, and early George Benson, and Michael’s musical destiny began to take shape.

Progressive improvised music composer and trumpeter, Wadada Leo Smith, influenced Gregory to look beyond the boundaries of rock, folk and mainstream jazz, and soon Michael was playing avant-garde music with Smith and such other notables as pianist Anthony Davis, saxophonists Julius Hemphill, David Murray and Oliver Lake. During this period, Gregory notes, “I learned that it was ok to try different things, to experiment. If I had a song that was going one way, it was all right to make it go in another direction or to add diverse elements. I’ve allowed myself to be creatively and stylistically liberated.”

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