On a quiet sunday night in New York, Seth Cluett presents Three Forms of Forgetting with the assistance of the audience and cellist Okkyung Lee. Starting with a new work for paper and stones, then a solo piece for cello and sine wave oscillators, and ending with a long form immersive solo performance, each of these works slowly explores the rich material at the intersection of physical actions, listening, and memory.
Seth Cluett (b. 1976, Troy, NY) is an artist, performer, and composer whose work ranges from photography, and drawing to video, sound installation, concert music, and critical writing. Engaging the boundary between the auditory and other senses, his work is marked by a detailed attention to perception and to sound’s role in the creation of a sense of place and the experience of time. The apparent tranquility of Cluett’s work – at once gentle and un-nerving – is concerned with the rapidly shifting sensory landscape of technological development and urbanization.
Cluett uses minimal materials derived from close listening and observation of the environment to point up the way in which we personalize our objects and actions. Through creative mis-use of post-consumer goods, adaptive re-use of raw architectural elements, and a nostalgic obsession with dead technologies, these materials become instrumentalized. In this way, many of his pieces investigate the movement, patterns, and social organization of both work and play, while others explore the acoustic signature of specific locations, where sound is exposed as the result or goal of a social activity, a characteristic of architectural space, or a by-product of a geological process.
Cluett’s work has been shown and/or performed internationally at institutions and festivals such as Kill Your Timid Notion at Dundee Contemporary Arts in Scotland; the 10th Rencontres Internationales, Palais de Tokyo Museum, and GRM in Paris; Hebbel am Ufer Theater in Berlin; the Osage Art Foundation in Hong Kong; The Kitchen, WPS1/MoMA, Issue Project Room, and Diapason Gallery in New York; the Institute for Contemporary Art, Studio Soto, and Mobius Artist Space in Boston; the Betty Rymer, Heaven, Artemisia, and Deadtech Galleries in Chicago; and the Deep Listening Space in Kingston, NY. He has created dance and theater works with DD Dorvillier/Human Future Dance Corp, HélÃ¨ne Lesterin/Atlas Dance, and Jen Mesch. His work is documented on Errant Bodies Press, Sedimental, Crank Satori, BoxMedia, Stasisfield and Wavelet Records. He has published articles for The Open Space Magazine, Leonardo Music Journal, 306090, Earshot, and the Journal of the Acoustical Society of America.
more info: http://www.onelonelypixel.org
Funded in part through Meet The Composer’s MetLife Creative Connections program.