Gary Hassay – saxophone
Dan DeChellis – piano
Tatsuya Nakatani – percussion
“An Evening of Spontaneous Beauty”
The Hassay-DeChellis-Nakatani Trio perform purely improvised music that draws from everything and nothing all at the same time. They each have very distinct voices and styles, yet allow each other to wrestle themselves into unfamiliar territory creating spontaneous works of music that excite and inspire any audience. They are intense and bombastic at once and suddenly hushed and delicate the next. Their years of collective improvising experience has allowed them to develop the ability to ‘turn on a dime’ at any given moment. This is a concert that should be experienced with open minds and open ears.
Dan DeChellis (pianist) first came to the attention of the jazz / improvised / new music world in 1996 with the release of his solo recording debut “Shapes” on the Sachimay label. This recording earned him immediate critical praise and led to appearances throughout the Northeast. Since then DeChellis has released five more CDs on Sachimay and has continued to increase his reputation as one of today’s busiest and most compelling improvisers. He has performed as a soloist, leader and sideman at the Musiffest (PA), Roulette (NY), Knitting Factory (NY), The Middle East (Boston), Sculler’s Jazz Club (Boston), Harvard University, New Langton Arts (CA), The Zeitgeist, ABC NO Rio, Autumn Uprising Festival, the Big Sur Experimental Music Festival and as an organizer and performer at New York’s, Improvised and Otherwise Festival.
Born October 14,1970, DeChellis grew up in Whitehouse Station, NJ. He began piano studies at age five and quickly developed interest in a diverse range of musical styles. From 1989 to 1997 DeChellis received his master’s degree in classical piano at Duquesne University. While briefly at the New England Conservatory, DeChellis worked closely with legendary composer/pianist Ran Blake, Paul Bley and improviser Masashi Harada. DeChellis sites influences as diverse as Sting, Brian Eno, Joe Jackson, Bill Evans and the music of Anton Webern. DeChellis’s music seeks to blur the boundaries between contemporary classical and improvised music. Whether he is performing solo or accompanied by electronics, voice and acoustic instruments, he masterfully combines standard piano virtuosity with extended technique and explosive bursts of energy. His recordings have been reviewed in The Wire, Cadence, Signal to Noise and Keyboard Magazine. Among the many fine musicians he has collaborated with are: Gerry Hemmingway, Sabir Mateen, Daniel Carter, Dee Pop, Rueben Radding, Ravish Momin, Ernesto Diaz-Infante, Jeff Arnal, Chris Forsyth, Anita DeChellis, Brian Moran, Toshi Makihara, Masashi Harada, Matt Hannafin, Bhob Rainey, Tatsuya Nakatani.
Gary Hassay (alto saxophone) has been performing since 1979 with various groups, both as a leader and a sideman. His large ensemble, “Dr. Vincent Sakeeda’s Attack Ensemble”, founded in 1979, was a tour de force of free music which drew critical and public attention. Beginning in 1985, interdisciplinary collaborations have become the main interest of Mr. Hassay. Working in partnership with choreographer Karen Carlson has produced more than thirty-seven performance scores (musician/dancer ) in nine years. “The Stubborn Trio” (GH/KC/action painter Howard Greenberg) performed together for over four years. An inter-active computer environment installation (Scott Sherk, George Shortess, G.H., K.C.) occurred in 1997. “The New Lounge”, is the name of one of Hassay’s current musical projects (as,dm,gui). A solo cd project entitled “A Survivor’s Smile” was released on the Dbops Music label in November, 1996. In 1999 “Another Shining Path” was released on Drimala Records and received qualifications for Grammy awards in four categories. Dbops Music released a limited edition cd (alto sax/violin) entitled “Dbops Pollittics” in June, 2001. In March, 2002 Drimala Records released a duo cd “Blackwater Bridge” featuring harpist Anne LeBaron. Blackwater Bridge made the Grammy ballot in two different jazz instrumental categories, and has almost completely sold out. In late 2004 the new cd titled “Tribute To Paradise” with Gary Hassay and Ellen Christi was released on Drimala Records. “Tribute” is Gary Hassay’s debut as a Tibetan style throat singer, and the disc is selling well while receiving great reviews.
Mr. Hassay has performed with musicians from throughout the world including Fred Frith, Andrew Cyrille, Gerry Hemingway, Anne LeBaron, Peter Broetzmann, William Parker, Tom Cora, Wadada Leo Smith, George Cartwright, Milford Graves, Paul Rogers, Jin Hi Kim, Toshi Makihara, Wittwulf Malik, Harry Beckett, Ellen Christi, Lenny Seidman, Chris Cochrane, Masahiko Kono, Davey Williams, LaDonna Smith, Keshavan Maslak, Michael Lytle, David Moss, Butch Morris, Jim Sauter, Don Dietrich, Donald Miller, Lukas Ligeti, Tatsuya Nakatani, Dan DeCellis, Evan Lipson, Helena Espvall-Santoleri, George Cremaschi, Douglas Ovens, Stanley Schumacher, and Soviet musicians Vyacheslav Gayvoronsky and Vladimir Volkov. Hassay cites among his formative influences Hungarian Gypsy violin music, R&B/soul music, Albert Ayler, Jimi Hendrix, Peter Broetzmann and Evan Parker.
Tatsuya Nakatani (percussion) is originally from Osaka, Japan. In 2006 he performed in 80 cities in 7 countries and collaborated with 163 artists worldwide. In the past 10 years he has released nearly 50 recordings on CD.
He has created his own instrumentation, effectively inventing many instruments and extended techniques. He utilizes drumset, bowed gongs, cymbals, singing bowls, metal objects, bells, and various sticks and bows to create an intense, organic music that defies category or genre. His music is based in improvised/ experimental music, jazz, free jazz, rock, and noise, yet retains the sense of space and beauty found in traditional Japanese folk music.
In addition to live solo and ensemble performances he works as a sound designer for film and television. He also teaches Masterclasses and Workshops at the University level. He also heads H&H Production, an independent record label and recording studio based in Easton, Pennsylvania. He was selected as a performing artist for the Pennsylvania Performing Artist on Tour (PennPat) roster as well as a Bronx Arts Council Individual Artist grant.