Electronic: Past

A 4-hour durational experience for dancers, 12-channel sound, and multi-channel video projection with audience invited to wander and wonder.

Can you transform a room using just acoustic phenomena, pattern manipulation, immersion, and durational composition complicated by chance?

Drummers with curiosity about hybrid systems engage the acoustic, electronic, and mechanical to test Roulette’s 12-channel immersive system.

5 artists unleash lo-fi/hi-fi pleasures and resonant wonder, test the threshold of perception and unstable systems, and drive a 12-channel rig.

Flutist Robert Dick and pianist Ursel Schlicht celebrate the release of their album The Galilean Moons.

The percussionist's ensemble performs the NY premiere of Perception for voice, strings, piano, percussion and electronics by guest Yuka Honda.

The world premiere of Gary Lucas' solo guitar score accompanying Orson Welles' rediscovered surreal silent comedy "Too Much Johnson."

Boston-based, Moroccan-dosed dub-jazz collective Club d'Elf celebrate the release of Live At Club Helsinki.

Matt Mehlan unveils a suite of compositions and a new band featuring old collaborators.

As the longest night of the year unfolds, join us for an hour or 6 of Phill Niblock’s annual immersive, multimedia Winter Solstice concert.