Tag: Curated by Meredith Monk

Curated by Meredith Monk: Missy Mazzoli // GABI

What: Missy Mazzoli and GABI present an evening of vocal exploration curated by Meredith Monk.
When: Thursday, December 1, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors $50 Series Pass
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door, $50 Series Pass

Brooklyn, NY – Composers and performers Missy Mazzoli and GABI join forces for a rare night of solo and collaborative performances exploring the ethereal fringes of electronic music, classical virtuosity, glitchy vocals, and extended techniques.

For this performance, Missy Mazzoli brings her trademark blend of harmony-drenched electronic soundscapes, virtuosic piano performance, and eccentric minimalism to Roulette’s stage. Mazzoli will perform as a soloist and in new collaborations with Aaron Roche (guitar, voice), Ludovica Burtone (violin) and Gabrielle Herbst (voice). She will present new compositions for electronics, piano, synths, guitar, strings, and voice, accompanied by new films created for her work. Mazzoli is a Brooklyn-based composer and pianist who has received wide critical acclaim for her chamber, orchestral and operatic work. Her first chamber opera Song from the Uproar, based on the life of Swiss explorer Isabelle Eberhardt and featuring a libretto by Royce Vavrek, premiered at The Kitchen in March 2012. She is the founder and keyboardist for Victoire, an electro-acoustic band dedicated to performing her music. Mazzoli is a 2015 recipient of the Foundation for Contemporary Arts Grants to Artists Award.

GABI (née Gabrielle Herbst) performs new experimentations for voice and ensemble inspired by dissolving genres and incorporating her pop sensibility within an evolving landscape of opera. GABI will experiment with extended technique, textural looping, and theatrical performance to present new spatial music for two voices and two harps, as well as music for saxophone, piano, percussion, and electronics. Herbst’s formal training began at an early age, studying Balinese dance and gamelan in Indonesia while learning both the clarinet and piano. She continued her training at Bard College where she studied voice and composition under the tutelage of Joan Tower, Zeena Parkins and Marina Rosenfeld. Her work has been showcased at Robert Wilson’s Watermill Center, as well as Roulette, who in 2014 commissioned and premiered her first opera, Bodiless. GABI released her debut album, Sympathy, on Software Recording Company in 2015.

About the Series: Curated by Meredith Monk features performers selected by Monk who are following his or her own path, asking questions, finding places that fall between the cracks of genres or categories.

Curated by Meredith Monk: David Behrman's Reinventions

What: David Behrman calls upon the talents of guitarist John King and fiddler Cleek Schrey to present Reinventions, a program of updated works.
When: Thursday, October 13, 2016, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20/15 Online $25/20 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: General Admission $20, Members/Students/Seniors $15, $25/20 Tickets at the door

Brooklyn, NY – David Behrman calls upon the talents of guitarist John King and fiddler Cleek Schrey to present Reinventions, a program of updated works. The inaugural event in Meredith Monk’s performance series at Roulette, Curated by Meredith Monk features performers selected by Monk who are following his or her own path, asking questions, finding places that fall between the cracks of genres or categories. There is an inclusiveness and a weaving together of elements that lead to the discovery of new worlds. There is no discrepancy or polarization of high art/low art, electronic/acoustic music, ritual/dance, jazz/classical, abstract/personal. Anything is possible; nothing is taken for granted. Freedom of the imagination, authenticity and liveliness are part and parcel of each artist’s work.

David Behrman has been active as a composer and artist since the 1960s. He has made sound and multimedia installations for gallery spaces as well as compositions for performance. Sound and multimedia installations include: Cloud Music (1979), a collaboration with Robert Watts and Bob Diamond, recently acquired into the collection of the Smithsonian; Pen Light (2002); and View Finder (2005). Together with Robert Ashley, Alvin Lucier, and Gordon Mumma, Behrman was a founding member of Sonic Arts Union. He had a long association with the Merce Cunningham Dance Studio as composer and performer.

John King is a composer, guitarist and violist. His string quartets have been performed by the Eclipse Quartet (LA) and the Mondriaan Quartet (Amsterdam), in addition to the Secret Quartet, which has premiered many of his compositions at The Stone, The Kitchen, Lincoln Center Festival, and Roulette.

Cleek Schrey is fiddler, improviser, and composer from Virginia and currently based in NYC. Recent engagements include a residency with David Behrman and Anton Lukoszevieze at Café OTO in London, the Beckett in London Festival with Gare St. Lazare, and a solo appearance at the Kilkenny Arts Festival. Schrey has studied composition with David Behrman, Paul Caputo, Bunita Marcus, and Walter Zimmermann. The journal Sound Post has noted that Cleek “possesses a rare combination of traits: deep respect for traditional music and the people who make it, and an unbounded curiosity about new directions for sound.” Schrey is currently pursuing a Masters in Music Composition at Wesleyan University.