Many tumbles fall from software sculptures to fountains upstreaming as millions of switches form an instance of a previous instrument or thousands of years water flowing in brooks and plazas from sustenance to culture, from cups to architecture.
John Bischoff explores musical construction from electronic artifact as he builds performances from low-level alteration of synthesis paramenters.
Kenneth Atchley presents fountains in concert as falling water, synthetic timbres and electronic music aggregated by computer into a new fountain.