Thursday, May 6, 1993. 8:00 pm
Real-time DSP modified sampling, “smart” audio and video, and a French lesson with Artuad. Pieces include the interactive “Der […]
Sunday, May 2, 1993. 8:00 pm
“The Walls of Jericho” for shofar (the ancient Jewish instrument made from a ram’s horn) and electronics performed by the […]
Saturday, May 1, 1993. 8:00 pm
The performance ensemble present “The Beaty Path,” digital mediations on innocence and experience and control and authority with […]
Friday, April 30, 1993. 8:00 pm
“The Blinding,” the world’s first ten-second opera. At the moment of impact the astronaut’s mind finally falls apart […]
Thursday, April 29, 1993. 9:00 pm
The voices of anxious objects as empowered by the multi-media artist in an audio-visual expedition with his many hybrid instruments/sculptures […]
Saturday, May 9, 1992. 9:00 pm
The sound artist composer presents Guitar Mechanical and other new works for electric ski, modified guitar, homebrew electronics, and objects du […]
Friday, May 8, 1992. 9:00 pm
Gripping Pieces, recent works using alternative realtime music controllers–photocell-equipped work gloves, electrified mbiras and Buchla […]
Sunday, May 3, 1992. 9:00 pm
New York premieres of five words highlighted by Loudspeakers (for Morton Feldman) featuring the voice of the late composer, plus Vers Les Anges […]
Saturday, May 2, 1992. 9:00 pm
Hamhung, featuring some New York firsts and a sneak peak of a new work to be premiered in Tokyo in late May. Carl Stone builds his electronic […]
Friday, May 1, 1992. 9:00 pm
Story Road, a new solo work for for interactive, live electronics and visuals, Samplers, synthesizers computer and MIDI hand-controllers plus […]