Thursday, May 5, 1994. 9:00 pm
Eutectic – composed in real-time with the Evolution Generator – an invented device for acoustic phenomena, sound machines and […]
Saturday, April 30, 1994. 9:00 pm
The organic excitable sound source – scp, (from Seattle) is formed by sounds traveling through air – mainly a sustained concentrated […]
Friday, April 29, 1994. 9:00 pm
Perpetual Tension – Concert for Speaker Constructions features absolutely no improvisation. All interaction is intended to be strictly […]
Thursday, April 28, 1994. 9:00 pm
Senseless – Self styled originator of the New Maudlinism will talk your ear off and make your ears buzz, accompanied by his own sweet […]
Saturday, May 8, 1993. 8:00 pm
“Requiem Songs” for singers, electronic percussion, violin, and video. The live performance of his soundtrack to […]
Friday, May 7, 1993. 8:00 pm
Live mixes for a virtual onstage recording studio with tape loops, samplers, cart machines, processors, and a very curious set of ears. Plus […]
Thursday, May 6, 1993. 8:00 pm
Real-time DSP modified sampling, “smart” audio and video, and a French lesson with Artuad. Pieces include the interactive “Der […]
Sunday, May 2, 1993. 8:00 pm
“The Walls of Jericho” for shofar (the ancient Jewish instrument made from a ram’s horn) and electronics performed by the […]
Saturday, May 1, 1993. 8:00 pm
The performance ensemble present “The Beaty Path,” digital mediations on innocence and experience and control and authority with […]
Friday, April 30, 1993. 8:00 pm
“The Blinding,” the world’s first ten-second opera. At the moment of impact the astronaut’s mind finally falls apart […]