Sunday, April 14, 2002. 8:00 pm
A mostly through composed chamber piece in eight parts, for eight musicians and conductor titled ”Lensing”. Krauss was commissioned by […]
Saturday, April 13, 2002. 8:30 pm
Here Come Peter Cottontail, hoppin’ down the Money Trail…Sort of like Roger the Engineer, the never-ending Playboy fantasy rolls on […]
Friday, April 12, 2002. 8:30 pm
One of downtown New York’s masters presents a sort of celebration and homage for solo drums and percussion about which he writes: […]
Saturday, March 30, 2002. 8:30 pm
The composer presents four works for his Alto Quartet: Study II [Scream], Study III [Saliva], Study IV [Flutter] and Horizontal-Vertical with […]
Friday, March 29, 2002. 8:30 pm
Guitarist/composer Thornton provides this list of influences for this performance of one of his memory fragment works: old page of stained […]
Thursday, March 28, 2002. 8:30 pm
A performing and recording duo pushing the limits of new guitar music, San Francisco’s Ernesto Diaz-Infante uses alligator clips, extreme […]
Wednesday, March 27, 2002. 8:30 pm
Low tech electronica that is intense, austere and abstract using materials that are such sound phenomena as sound generators. The work is paced […]
Saturday, March 23, 2002. 8:30 pm
From Copenhagen an improv/plunderphonic/kosmic groove surpergroup, Jørgen Teller (of 21 guitarists, David Thomas and Foreigners) on electric […]
Friday, March 22, 2002. 8:30 pm
Distress and delight. The partnership of Canadian musicians Lori Freedman, clarinets and Marilyn Lerner, piano exposes a process wrought by […]
Thursday, March 21, 2002. 8:30 pm
Picnolepsy (noun. from the Greek, Picnos: frequent). For the picnoleptic, nothing has happened, the missing time never existed. Erin McGonigle […]