Category: Press Releases

Joseph C. Phillips Jr & Numinous: The Grey Land

Joseph C. Phillips Jr & Numinous: The Grey Land
Tuesday, October 16, 2018
Performance 8pm / Doors 7pm

What: Joseph C. Phillips Jr and Numinous premiere the intuitive and introspective mono-opera The Grey Land.
When: Tuesday, October 16, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $18 presale, $25 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/FA181016

Brooklyn, NY – Roulette is proud to present the world premiere of Joseph C. Phillips’s mono-opera The Grey Land, which explores themes of humanity and identity in relation to race, class, and power through the lens of a black mother’s experiences navigating American society with her son. The Grey Land ruminates on longstanding systemic societal, economic, and cultural issues exemplified by the recent spate of police shootings and subsequent protests, and how they have become part of a wider public consciousness. The piece features 28-piece orchestral ensemble Numinous, as well as soprano Rebecca L. Hargrove, choreography by Edisa Weeks, and film and video work by Malik Isasis & Xuan Zhang.

Joseph C. Phillips Jr.: Composer, Conductor
Rebecca L. Hargrove: Soprano soloist
Kenneth Browning: Narrator
Malik Isasis & Xuan Zhang: Video/Film

Edisa Weeks: Choreography
Michael Hammond: Electronics
Jay Bouey: Dancer

Phillips defines his multifaceted work as mixed-music – a term inspired by mixed-race people who have traits and characteristics that come from individual parents, but blend to create something unique and new. Phillips’s composions not limited or defined by genre but rather are an amalgamation, transmuted into a singular and individual style. Numinous, a flexible ensemble was formed in 2000 to perform Phillips’s compositions. Their music generates emotions in the listener that resonate with beauty, mystery, and wonder in order to challenge, enlighten, and refresh.

[COMMISSION] Jonathan Finlayson

What: Rising jazz trumpeter Jonathan Finlayson performs music based on select poems by Sterling Brown.
When: Sunday, June 24, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 Door, $15 Online
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/SP180624

Brooklyn, NY – Recognized by the New York Times as “…an incisive and often surprising trumpeter,” who is “…fascinated with composition,” Jonathan Finlayson makes his Roulette debut with a set of music based on select poems by renowned Harlem Renaissance poet Sterling Brown.

Born in 1982 in Berkeley, CA, Finlayson began playing the trumpet at the age of ten in the Oakland public school system. He came under the tutelage of Bay Area legend Robert Porter, a veteran trumpeter from the bebop era who took Finlayson under his wing; he was often seen accompanying Porter on his gigs about town and sitting in on the popular Sunday nights jam session at the Bird Cage. He subsequently attended the New School for Jazz and Contemporary Music where he studied with Eddie Henderson, Jimmy Owens, and Cecil Bridgewater. Finlayson is a disciple of the saxophonist/composer/conceptualist Steve Coleman, having joined his band Five Elements in 2000 at the age of 18. He is widely admired for his ability to tackle cutting-edge musical concepts with aplomb. Finlayson has performed and recorded in groups led by Steve Lehman, Mary Halvorson, Craig Taborn, Henry Threadgill and played alongside notables such as Von Freeman, Jason Moran, Dafnis Prieto and Vijay Iyer.

Lineup:
Andre Solomon Glover – Baritone
Jonathan Finlayson – Trumpet
David Bryant – Piano
Chris Tordini – Acoustic Bass
Craig Weinrib – Drums and Percussion

Jamie Baum Septet+

The Jamie Baum Septet+: Bridges Album Release
Sunday, September 16, 2018
Performance 8pm / Doors 7pm

What: The Jamie Baum Septet+ celebrates the release of their much-anticipated album Bridges on Sunnyside Records.
When: Sunday, September 16, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $18 presale, $25 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/FA180916

Brooklyn, NY – The Jamie Baum Septet+, led by New York-based flutist, composer, and 2014 Guggenheim Fellow Jamie Baum, celebrates the release of their album Bridges on Sunnyside Records.The highly-anticipated follow-up to Baum’s wildly successful 2013 recording In This Life, Bridges is the culmination of Baum’s search for common links between some of the world’s great religious music traditions, resulting in a recording of depth, beauty, spirituality, and undiluted zeal. Hailed by Downbeat for her “remarkable artistic facility” and by The New York Times for her “remarkable balance of fluidity and restless creativity,” Baum’s advanced harmonic sensibility and sonic imagination—beautifully brought to life by the members of her long-running ensemble—proves the capacity of modern jazz to absorb and transform music of diverse traditions, without sacrificing the improvisational core of its identity.

The Jamie Baum Septet+

Jamie Baum: Flutes
Jason Palmer: Trumpet
Sam Sadigursky: Alto Sax / Bass Clarinet
Chris Komer: French Horn
Brad Shepik: Guitar
Luis Perdomo: Piano
Zack Lober: Bass
Jeff Hirshfield: Drums

The Jamie Baum Septet+, formed in 1999, has been performing with this current line-up of musicians since 2010. For almost 20 years Baum has created opportunities to perform her compositions with this ensemble, developing a unique voice with the colors and textures of this unusual instrumentation. Their four albums, including Bridges, have received stellar reviews in relevant publications including the New York Times and NPR’s “All Things Considered”, with most receiving four stars in DownBeat. Nominated by the Jazz Journalists Association, for “Best Midsize Ensemble of 2014,” they have done several tours in the US and abroad at notable venues and festivals.

Bobby Previte’s Rhapsody Band

What: Nels Cline, Zeena Parkins, Jen Shyu, and others perform Rhapsody, an acoustic song cycle exploring the experience of travel.
When: Friday, March 2, 2018, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 Online $25 Doors
Info: www.roulette.org // (917) 267-0368

Brooklyn, NY — Rhapsody is an acoustic, narrative song cycle which incorporates written music, improvisation, and vocals with lyrics to create an evening length performance. Rhapsody twists and turns, landing on song ‘events’ but never ending there, instead, spinning off in other directions, only to land again on a vocal moment, sung by Jen Shyu. Using acoustic harp (Zeena Parkins), piano (John Medeski), acoustic guitars (Nels Cline), and drums, autoharp, harmonica and percussion (Bobby Previte) the piece places the listener ‘in transit’ — traveling to an unknown place that subtly changes over the course of time, until in the end, they arrive at a surprise destination. Rhapsody was commissioned by the 2015 Greenfield Prize in Music at the Hermitage Artist Retreat. The recording will be released in March 2018 on RareNoise Records.

Bobby Previte is a composer and performer whose work explores the nexus between notated and improvised music. One of the seminal figures of the 1980s New York Downtown scene, Previte is the recipient of the 2015 Greenfield Prize for music, and was a Guggenheim Foundation Fellow in 2012. Leading a plethora of diverse ensembles from the drums, he has collaborated with many of the leading lights in and beyond the world of music.

Spotlight On: Anna Wray

Anna Wray

Resist x Improvise: An Evening for Roscoe Mitchell
Tuesday, June 5, 2018 @ 8:00 pm

Tell us about yourself and what you do.

I am a percussionist living in Bushwick, Brooklyn. I perform avant-garde jazz and new classical music and am starting to learn more about Brazilian and Cuban rhythms. Some of my favorite artists in New York right now are So Percussion, Roomful of Teeth, and Zeena Parkins. I currently study with Josh Quillen.

I was born in 1991 in Park Slope and went to the children’s YWCA program next door to Roulette. When I was five, my family, who had lived in a huge Fort Greene brownstone for nearly twenty years, moved to an old house in Sleepy Hollow, NY. I began studying music when I was six, first piano and then percussion, in private studios. The public schools also had great music programs with jazz ensembles, orchestras and musicals. I remain close to the directors at Sleepy Hollow’s Junior and High schools, offering workshops and participating in the music honor society.

After high school, I spent a number of years on the West Coast, first in Oakland, CA to attend Mills College where I pursued percussion performance, studying with percussionist William Winant and improvisation with Roscoe Mitchell. I continued my musical studies at CalArts in Los Angeles, receiving an MFA in percussion performance, studying Brazilian, Indonesian, Electronics, African, and North Indian music with percussionists, Randy Gloss, Amy Knoles, and David Johnson. After my masters, I taught full time as a general music teacher at an elementary school in Compton, Los Angeles. It was one of the most rewarding experiences in my life. I’m still in touch with my students. I returned to New York in 2017 to live closer to my family. I missed seeing my niece and nephew grow up and I really missed the New York Yankees. Also, New York City is the city where many artistic collaborations are happening.

Describe the project you are developing for Roulette.

I wrote Roscoe Mitchell in 2016, asking if he would consider writing a new work for vibraphone. He agreed, as I saved up money at my cafe job for his commission. A few months rolled by and I wanted to make more music with my good friends, Marilu Donovan and Christopher Foss, so I asked Roscoe if he could create a new work for vibraphone, harp and bassoon. In response, he told me that he had a baritone piece he wrote for Thomas Buckner and piano, that might work well with this new orchestration. We contacted my colleague, and Roscoe’s former student, Daniel Steffey to orchestra the virtuosic piano part for vibraphone, harp and bassoon. I then asked my dear friend Michael Lofton to join us as our baritone voice for the quartet. I’ve wanted to work with Michael my whole life, so I’m excited for our first performance together. One of my first memories of seing Michael perform was in the NYC Opera production of Carmen. (Unfortunately, I was crying as the curtain went up, rather than when Carmen dies, because my mother made me kill my pet Tamagotchi when she discovered it in my pocket. I hadn’t considered the noise it could make during the performance. You couldn’t turn off a Tamagotchi, without killing it. But it had become a level 4 frog from a tadpole! I must have fed the Tamagotchi in the middle of the night for weeks. However, seeing Michael in a blonde wig made everything okay.)

As the program develops, I have invited more of my colleagues to join the program, such as Brian Adler’s Human Time Machine. Through discussions with Brian Adler and Michael Lofton, we decide to focus this evening’s performance on African American social justice and equality.

What is your favorite place to eat or drink near Roulette?

Bedouin Tent, which is around the corner of Atlantic Avenue and Bond Street (Cash only!)

What is your favorite record?
The Harder They Come soundtrack (Jimmy Cliff! Toots!), Live at Roseland, NYC by Portishead, David Bowie’s Ziggy Stardust, and Metamorphosis by Philip Glass. Some of these albums I grew up with, while others were introduced to me at significant times in my life. I constantly return to them, listening to the album in entirety. Each time, I find new musical elements and textures, as well as new meanings from the lyrics.

What is influencing your work right now?
Brian Adler’s Human Time Machine. Brian has taken the time to meet with me and explore more ways to approach rhythm. Such as, focusing on syncopation as a downbeat, seamlessly switching from a triplet feel to a sixteenth note feel, and developing patterns in 5. Performing in the Human Time Machine is helping me develop my voice as an improviser.

What artists are you interested in right now?
I’m interested in The Knife and MIA. Their ability to create dance songs that include a powerful political message blows me away. I love that these two artists have a sound that is so distinct, and clearly their own. I find that empowering and I hope to one day find my own.

Describe Roulette in three words.
Safe, encouraging, loving

Resonant Bodies Festival

Resonant Bodies Festival
Tuesday, September 11; Wednesday, September 12; Thursday, September 13, 2018
Performance 7:30pm / Doors 7pm

What: The annual Resonant Bodies Festival returns to present nine boundary-pushing vocalists performing over three consecutive nights.
When: Tuesday–Thursday, September 11–13, 2018, 7:30pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 presale, $25 Doors, $50 Festival pass
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/2018RBF

Tuesday, September 11 Paul Pinto, Helga Davis, Lucy Dhegrae
Wednesday, September 12 Jen Shyu, Caroline Shaw, Nathalie Joachim
Thursday, September 13 Sarah Maria Sun, Pamela Z, Gelsey Bell

Brooklyn, NY – Roulette is pleased to co-present the sixth annual Resonant Bodies Festival, taking place September 11–13, 2018.

Highlights include Resonant Bodies Festival director Lucy Dhegrae premiering a multimedia project that explores the neurological aftermath of trauma, with new works by Jessie Montgomery, Du Yun, Katherine Young, Eve Beglarian, Angélica Negrón, and Osnat Netzer, directed by Alison Moritz, on opening night, followed by Pulitzer Prize-winner Caroline Shaw (of Roomful of Teeth) performing works of her own composition on Wednesday, September 12. On Thursday, September 13, German soprano Sarah Maria Sun collaborates with International Contemporary Ensemble (ICE) on works by Georges Aperghis, Rebecca Saunders, Thierry Tidrow, and Màtyàs Seiber, and the legendary San Francisco-based Pamela Z will perform compositions for voice and electronics to close the festival.

Founded in 2013, Resonant Bodies Festival is a one-of-a-kind opportunity to hear expert contemporary music vocalists present repertoire of wide-ranging and innovative work. Presented over three nights, nine dynamic and unique vocalists curate and present 45-minute sets expressing their particular blend of musical tastes. The festival recently expanded to Melbourne, Sydney, and Chicago, with a Los Angeles festival slated for 2019.

High Zero Festival of Experimental Improvised Music

High Zero Festival of Experimental Improvised Music
Wednesday–Thursday, September 19–20, 2018
Performance 8pm / Doors 7pm

What: Roulette and the High Zero Foundation present the High Zero Festival of Experimental Improvised Music, a 2-day festival featuring over 25 musicians from New York and Baltimore.
When: Wednesday–Thursday, September 19–20, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $18 presale, $25 Doors
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/FA180919

Brooklyn, NY – The Baltimore-based High Zero Festival usually brings musicians from all over the world to Baltimore, but this year’s 20th-anniversary concert series flips the format by bringing High Zero Collective members to Roulette for two nights of improvisation with New York musicians. Each evening’s four curated sets aim to combine musicians who have never played together before. These musicians will improvise together for 20–30 minutes.

September 19
Set 1: Tom Boram, Ikue Mori, C Spencer Yeh
Set 2: Owen Gardner, Margaret Schedel, Shelly Purdy
Set 3: Jamal Moore, Jeff Carey, Ras Moshe, JD Parran, Andrew Bernstein
Set 4: Samuel Burt, Lea Bertucci, Michael Evans

September 20
Set 1: Bonnie Jones, Laura Ortman
Set 2: Sandy Ewen, Rose Hammer Burt, M.C. Schmidt
Set 3: Amirtha Kidambi, CK Barlow, John Berndt, Tom Hamilton
Set 4: Chuck Bettis, Stewart Mostofsky, Jaimie Branch

Brandon Lopez + Steve Baczkowski

Brandon Lopez + Steve Baczkowski
Thursday, July 12, 2018
Performance 8pm / Doors 7pm

What: Bassist, improviser and composer Brandon Lopez continues his 2018 Van Lier Fellowship at Roulette with a duet with saxophonist Steve Baczkowski that tests the limits of the musicians’ endurance and instruments.
When: Thursday, July 12, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost:  $20 Door, $15 Presale
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/SU180712

Brooklyn, NY – In the second performance of his year-long Van Lier Fellowship, bassist Brandon Lopez is joined by saxophonist Steve Baczkowski in a duet that tests the limits of the musicians’ endurance and their instruments. Known for the intense physicality of their performances, Lopez and Baczkowski transition between brutality and tenderness in a single show.

Brandon A. Lopez, deemed the “Ubiquitous Free Improv Bass Ace” by the Village Voice and said to play with a “bruising physicality” by the Chicago Reader, was born and raised in northwestern New Jersey. It was there that he cultivated a taste for left-of-center music and he has since had the pleasure of working with many of the world’s luminary left-of-center musicians, including Weasel Walter, Mette Rasmussen, Gerald Cleaver, Peter Evans, Ingrid Laubrock, and Dave Rempis. Lopez leads a piano trio “Mess” with Sam Yulsman and Chris Corsano. He frequently plays solo. He is the 2018 Artist-in-Residence at Issue Project Room and was awarded a Van Lier Fellowship by Roulette in the same year. He attended New England Conservatory.

Steve Baczkowski is a Buffalo-based saxophonist. He has worked with Chris Corsano, Bill Nace, Roscoe Mitchell, William Parker, and many others. His debut trio album will be released on Relative Pitch Records in the next year. Brandon Lopez and Steve Baczkowski met at Hallwalls Contemporary Arts, the center for improvised and strange music in Buffalo, New York. Quick friends, they decided to test the musical waters of the Brooklyn underground. A year later, they gave a brutal performance at the Exposure Festival in Chicago, wowing listeners and critics.

[VAN LIER FELLOW] Brandon Lopez: The Lamentations + Bennett/Foster/Wooley/Lopez

What: Bassist, improviser and composer Brandon Lopez plays The Lamentations, followed by a newly-formed quartet.
When: Thursday, June 21, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $25 Door, $20 Presale
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/SP180621

Brooklyn, NY – Brandon Lopez plays The Laminations with frequent collaborator Sam Yulsman. Composed specifically for improvising musicians, the piece—although named after The Book of Lamentations—is secular and ripe for interpretation. Lopez will then be joined by Nate Wooley, Michael Foster, Ben Bennett to perform as a quartet.

Brandon A. Lopez, deemed the “Ubiquitous Free Improv Bass Ace” by the Village Voice and said to play with a “bruising physicality” by the Chicago Reader, was born and raised in northwestern New Jersey. It was there that he cultivated a taste for the left of center musics and has since had the pleasures of working with many of the world’s luminary left of center musicians such as Weasel Walter, Mette Rasmussen, Gerald Cleaver, Peter Evans, Ingrid Laubrock, Dave Rempis, and has toured and played prestigious halls, DIY basements, festivals across North America and Europe. Lopez currently leads a piano trio dubbed “Mess” with Sam Yulsman and Chris Corsano. He frequently plays solo. He is the 2018 Artist-in-Residence at Issue Project Room and was awarded a Van Lier Fellowship by Roulette in the same year. He attended New England Conservatory.

The Lamentations
Brandon Lopez – Bass
Sam Yulsman – Piano

Bennett/Foster/Wooley/Lopez
Nate Wooley – Trumpet
Michael Foster – Saxophone
Ben Bennett – Percussion
Brandon Lopez – Bass

[RESIDENCY] G. Lucas Crane: Time Boiler

What: G. Lucas Crane presents his latest investigation into time, memory, and loss through a series of live tape-based compositions.
When: June 19, 2018
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $20 Door, $15 Presale
Info: www.roulette.org / (917) 267-0368
Tickets: http://bit.ly/SP180619

Brooklyn, NY – Performer and sound artist G. Lucas Crane continues his investigation into information anxiety, memory, media confusion, and new performance techniques for obsolete technology in his latest work Time Boiler. A tale of time-travel memory loss explored through tape-collage music, as well as a series of attempts at time compression through musical trials on the performing body, Time Boiler illustrates the psychological consequences of time-travel on the human mind through a series of live compositions using Crane’s extensive cassette tape archive.

G. Lucas Crane is a musician whose work focuses on information anxiety, media confusion, sonic mind control, and time skullduggery. His cassette tape-based sound practice explores the liminal space of hybrid analogue aesthetics and new performance techniques for forgotten technology. In New York City, he has performed at The Stone, Museum of Art and Design, Pioneer Works, Roulette, Issue Project Room, and the Brooklyn Museum. He was a 2011 LMCC Swing Space Resident Artist and received the NYSCA Individual Artist Commission for sound design of the theater piece This Was The End, for which he also received a Henry Hewes Award and a Bessie nomination. Crane received a Jerome Foundation Commission from Roulette in 2014. He is a co-founder of the Silent Barn, an experimental art and performance space in Bushwick, Brooklyn.